CHAPTER 32: The gang conducts interviews at Oklahoma State University before venturing into the hot spring paradise and pothole central of Arkansas.

Billie was glad to turn the wheel over to Buck after stopping at the National Route 66 Museum in Elk City, Oklahoma. The drive reminded her of that stretch of Interstate 70 between Abilene, Kansas, and Denver: endless prairie grass, crops, and cattle. It was a landscape mostly devoid of civilization, its boredom occasionally shattered by bus-rocking wind gusts and tumbleweed attacks. But Route 66 has a storied history, and Professor T couldn’t help thinking about the wild anecdotes Jack Kerouac included in that classic scroll known as On the Road. He was almost disappointed that the route couldn’t be covered on more of those two-lane stretches where Neal Cassady drove the rattlin’ Hudson like a maniac, pushing over 100 mph, passing semis on the dirt shoulder with inches to spare while talking non-stop about jazz, time, and cosmic revelations.

The trip reminded Jack Dean of those heady years when The Forks made their way around the country with their grunge-metal songs and mosh routines. They were a fairly nihilistic bunch, but not inclined to push as close to the edge as those storied Beat Poets or Gonzo Journalists of post-war America. They were mostly happy to read about the “edge” and experience it vicariously.

There was that wild experiment in Laramie, Wyoming, with that “Fozzy” character, but afterward, Jack was less inclined to get boosted on amphetamines and oppressive heat…sweat flying out of windshields with manic companions huddled in the backseat clutching notebooks, all convinced they were going to disintegrate into the prairie like the flash at the end of the 1971 movie Vanishing Point.

“You know, Buck,” said Jack. “Rodeo cowboys pushing their luck on raging beasts are not at all unlike the crazy beat poets, gonzo journalists, and 27-club luminaries.”

“You mean like Kerouac, Burroughs, and Hunter S. Thompson? I get those references, but what’s a ’27 Club’?” Buck suspected this had something to do with Billie’s favorite rock star.

“I’m sure that ’27 Club’ syndrome correlates closely with the age at which young men finally develop some frontal lobe perspective,” said Professor T. “I haven’t really given it much thought.”

“Again with the stubborn, sexist omission of ladies as impactful human beings,” Billie said, clearly annoyed.

“Hello?” whined Buck. “What the hell is a ’27 Club’?”

Jack was the Forks’ foremost expert on nihilistic hedonism, so he took over. “Well… it’s a fairly long and sad list of beloved music artists shuffling off the mortal coil at age 27.”

“I, too, had a radical turn of karmic trajectory at that age. I can still see the scene vividly: the day i stopped chasing parties, booze, girls, and cocaine. Walking from the parking lot to my apartment after one of those pointless all-nighters, the sun blazing in my face, I was reviewing all the wasted dollars and precious time spent with people who would never be considered friends. I was 27 when I made that turn. I made it out of that phase alive… the 27 Clubbers did not.”

“Give us some names,” said Billie. “I did read about Cobain being part of something like that. 27 is way too young for checking out.” Billie had been devastated by the news of grunge’s foremost luminary.

“Okay… but it’s a long, depressing list,” said Jack. “Robert Johnson, Jim Morrison, Janis Joplin, Brian Jones, Jimi Hendrix, Amy Winehouse, and Billie’s favorite, Cobain. Neil Young once wrote, ‘It’s better to burn out than to fade away,’ and every member of the 27 Club did just that. It’s ironic Young is still with us, but as a musical journalist of sorts, i guess it’s good he survived the curse. ‘The Needle and the Damage Done’ is another example. It’s like there is a chasm across an artist’s timeline. You either have the will and ability to clear it, or you join the club. You either cross it and gain wisdom as you fade away, or you dispense all the wisdom you have by 27 and check out early.”

Rolling into Cushing Oklahoma, the scent of raw sulfur and heavy hydrocarbons wafted from the tank farms, seeping into the bus through the ventilation and cracked windows. At the fuel stop, Billie asked a local if that was normal. “Oh, that’s a good smell… means things are still hummin’ ’round here.” With a deadpan shrug while paying for her soda and candy bar, she mumbled, barely audible, “…it just smells like money to me.”

In the pre-interview discussions at OSU, Billie pressed on the unique situation Cushing residents face. She learned that despite billions of dollars in oil sloshing beneath and around the town in pipes and barrels, very little of that capital actually sticks to Main Street. Like many legacy energy hubs, the infrastructure is owned by multinational corporations, leaving the local tax base to deal with heavy road wear, crumbling asphalt, and rural infrastructure strain without a fair return.

As a consolation prize for rising to the top of the world’s natural gas producers, Cushing has become ground zero for human-induced seismic activity…the result of excessive fracking. In the 2010s, a rash of earthquakes shook the prairie, including at least one 5.0 magnitude quake that damaged historic downtown brick facades.

If that wasn’t enough, the locals live with the underlying anxiety of residing adjacent to tens of millions of barrels of volatile hydrocarbons. After all, a severe thunderstorm, lightning strike, or grass fire could ignite a biblical holocaust.

As the Cool Bus rolled east through Oklahoma along Route 66 that day, Professor T contrasted the manic bohemian hedonism of his early days with the juxtaposition of On the Road and Vanishing Point’s protagonists. Both Kerouac’s high-strung musings in the careening 1949 “Super Six” Hudson and Kowalski’s white 1970 Dodge Challenger slamming into bulldozers seemed to foretell what was to become of the crumbling “unum” in the USA’s 21st-century “e pluribus.”

NEXT WEEK:
Billie’s Albuquerque speed-bump lesson serves well as the Gang meanders around Arkansas’ hot spring destinations.

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