Wizard of OZ

Audiovision: All Hail!

In the grand pantheon of Oz’s legal history, none… not the fabled Tin Man Cyborg nor the Third Goldencalf Lion… had ever ascended with the peculiar, almost manic gravitational pull of Wizard Oscar Ambrose. He was, by acclamation and political fiat, the wisest of Oz’s supreme jurists, a man sworn into office by Glinda the Good herself in a ceremony so drenched in faux-humility it bordered on the obscene. It was a spectacle of political triumph, a testament to the idea that you can, in fact, become the most celebrated arbiter of law in the land despite a childhood that read like the annotated memoirs of a sentient bruise.

Oscar was born into a family so poor it made other Oompa Loompas look like robber barons. His biological father, a man possessed of a profound and fatalistic wanderlust, had one day simply run off with the circus, taking with him a single, beverage thermos and the last shred of his dignity. His mother, a perpetually anxious woman of diminutive stature and profound despair, had subsequently crumbled under the Sisyphean pressure of being an orange woman, a role that was, in itself, a kind of oppressive agony. Young Oscar and his big sister were promptly dispatched to a foster home run by a man whose very name… Jack Ketch… was a synonym for “ragman.” He was, in a cruelty-rich land, a veritable paragon of it, and the children were subjected to a ceaseless, grinding abuse that left them with psychological scars shaped like handprints.

The world outside the foster home was no kinder. As a schoolboy, Oscar was bullied with a relentless, pathological glee for being “a little too orange”… a color-based bigotry so bizarre and yet so utterly common in Oz it was considered a conversational staple. The taunts, the shoves, the sheer, bone-deep loneliness of it all drove him to seek refuge in the Quadling Holy Order. He became an Acolyte Attendant, a kind of spiritual gofer, where the monks and nuns, for reasons entirely unrelated to charity or goodness, pushed him to strive for a kind of purified excellence. He found, in their rigid doctrine and ceaseless demands for perfection, a perfect incubator for a nascent “I’ll show them all” supervillain shoulder chip. He promised to become the very first Oompa Loompa priest.

But it was not to be. Even within the supposedly hallowed walls of the monastery, he was bullied, again for the color of his skin. His faith, a fragile thing held together with the spiritual equivalent of chewing gum and duct-tape, was crushed. He bailed, leaving behind a monastery and a God he no longer believed in, his shoulder chip now growing exponentially. The foster family, upon learning he would in fact not be the very first orange priest, exiled him with the casual cruelty of a bored farmer flicking a bug off his sleeve.

In a bizarre twist of fate… the kind of bureaucratic, affirmative action initiative so beloved by governments with a guilt complex… he was accepted into an all-Quadling private school. The bullying, a constant in his life, continued unabated, a new chorus of taunts about his skin color and his diminutive stature. But he endured. From there, he parlayed his academic prowess into a spot at Oz’s most prestigious academies of law.

Upon graduation, the big-money firms, populated by a parade of perfectly coiffed, perfectly insipid Quadling partners, rejected him. To “show them all,” he found a shorter, albeit less lucrative, path to eminence through the short line of minority hopefuls vying for powerful conservative top government posts. In the process, he came to hate these very initiatives and, more profoundly, to loathe himself for the possibility that regular Quadlings might regard him as a “welfare hire.” The thought, the gnawing, gut-wrenching possibility that they might not see him for the genius he was… that he got where he was merely because he was orange and short… was an insult so deep it became a personal mission.

And so, he set his sights on the Wizard’s office, not for the prescribed two-term maximum, but for a permanent… a lifetime appointment. His path was not without its bumps. Opponents, armed with a morbid curiosity and a penchant for the political low-blow, tried to derail his ascension by bringing some of his more peculiar personal predilections to light. They paraded his victims before the public, a gaggle of witnesses whose damning testimony was meant to destroy him. But he was a master of the turnabout. He painted himself the victim of a “high-tech lynching,” a political assassination attempt of the purest kind. It worked. “The personal,” he argued, “…must never be mixed with the political.”

And this is where his partner and intellectual north star, a woman by the name of Dorine of Omaha, emerges. Dorine, a paragon of Quadling conservative holy-warriordom, was the other half of this premier Oz power couple. On the surface, they appeared to be in lock-step with their political beliefs, but those in the know… outsiders who watched their moves with the meticulous fascination of birdwatchers… knew that she had indoctrinated him. She was the brain… he was, as a lifetime Oz supreme-jurist, the muscle, and this power couple was, in every sense of the word, at war with their political opposition.

Dorine was brought up in the plain vanilla provincialism of a small Quadling town, an environment that provided her with the kind of privilege that only the vanilla bourgeoisie could truly understand. She was a “good girl”… no mead, no poppies, just good grades and a deep, abiding sense of superiority. She was, as she liked to say, a “late-life oops,” a child born to aging parents and raised among the “Jerkers,” a group of culture warriors who believed that “politics is war.” She was, in every way, a product of her environment, one who idolized the Wicked Witch of the West and her particular brand of female disempowerment. Dorine waged a quiet but fervent war against the female autonomy movement (FAM), convinced that a woman’s rightful place was in the kitchen, churning butter and producing perfect, obedient Quadlings. At age twelve, she was already writing letters to Oz newspapers, a harbinger of the ambition, hard work, and mission-driven focus that would come to define her.

But Riviera City, a teeming metropolis of chaos and moral ambiguity, was not the best place for “good” girls. The harassments began… petty, pointless cruelties that chipped away at her carefully constructed facade. She became an angry shrinking violet, a woman whose rage was in direct inverse proportion to her confidence and agency. And so, she did what so many lost souls in Oz do… she joined a “self-help” cult. But, as cults will often do, they began the “body shaming” therapy (sans clothing), and Dorine, a woman whose every movement was driven by a deep-seated revulsion of personal over-sharing, bailed.

Like the ram-headed Ronnie Hays, when Dorine was in, she was IN. Her bag, her one and only focus, was to “destroy the enemy,” especially those who shamed her in her time of personal vulnerability. She was, and is, at war with more than half of Oz’s eligible voters. And when she met Oscar, she knew he was the man of her dreams. A fully converted Oompa Loompa! This unique combination promised to raise her social stock in a BIG way.

The pairing was perfect… he was against the universal rights movement (URM), and she was against the female autonomy movement (FAM). They were a perfect team for sticking it to the counter-culture of their formative years. And her family, a group of people whose approval was more fickle than a summer wind, decided the orange guy was okay once his opposition to the URM became apparent.

When Oscar’s bid for lifetime supreme jurist was in jeopardy due to his deep and troubling sexual perversities, her advice was simple. “This is WAR.” Duh. The nominating committee had to pay. The Ambroses made a pact… they would deny, deny, deny, and lie, lie, lie, because the ends always justify the means. And when the gods are on your side, you always double down because your cause is righteous. They played the ultimate race card… a privilege, of course, reserved only for them. “The Judge” used every tool in the book and laughed all the way to the Wizard’s throne.

The power couple’s schtick was now down to a science. Oscar must pose “above” politics, a man of profound wisdom and stoic judgment. Dorine, meanwhile, gets out there and brays their shared politics with a jumbo bullhorn, her manic talking-points designed to discredit anyone who dares oppose Oscar in the realm of Ozland power. And of course, she denies any and all conflict of interest, because a conflict of interest, like a lie, is only a problem when the gods aren’t on your side. And the gods, in their world, were definitely on their side… now and forever.

Audiovision: Glinda the Good

The word came down from the Tower of Smoke and Mirrors like a week-old tornado warning! Glinda the Good, that shimmering, pastel-drenched enigma whose public persona suggested a diet of spun sugar and unwavering good will, had landed herself a lifetime gig in the judicial system of Oz. Permanent. Locked in tighter than a Winkie guard’s sphincter at a tactics and control seminar. The Wizard, bless his holographic heart, figured she was a sure bet, a pre-packaged yes-woman bobbing along on her iridescent bubble, ready to rubber-stamp whatever flimsy decree wafted down from his lofty, smoke-filled cranium. He envisioned compliant nods and sparkling affirmations. What he got was a freakin’ constitutional originalist.

The first seismic tremor registered not on the Richter scale, but in the Oz Toot-sphere, that swirling cesspool of gossip and digital bile. A post, brutal in its unflattering candor captured mid-mastication on a truly formidable ripe yellow elongated berry-fruit, courtesy of the local trading post no doubt. The toot declared in no uncertain terms: “She’s a big problem!” One hundred and seventeen thousand-plus digital thumbs-up slammed into that poor banana, a collective grunt of outrage echoing across the digital plains. Initially, one might peg this as the handiwork of the Quadling Liberation Front, those tireless advocates for opening Oz’s borders to every Tom, Dick, and Kansas refugee with a hard-luck story. But no, this particular broadside originated from the very heart of the Wizard’s support base, the frothing legions of tin-foil hat keyboard warriors. Glinda’s transgression? A simple, yet devastating, vote to allow two billion gold coins poured into the Outer-Realm black hole. O-Z-A-I-D, for Christ’s sake… to some nebulous, faraway land that wouldn’t know a Poppy Field from a peyote button. The outrage was palpable, thick enough to choke a gaggle of giggling Munchkins.

Then came the inevitable chorus of “diversity appointment” accusations, a low, guttural moan that swiftly escalated into a full-bore demand for Glinda’s immediate and public immolation. Glinda, bless her pastel-hued soul, merely blinked. She understood the Oz vernacular all too well. Diversity appointment was simply the contemporary euphemism for anyone who didn’t enthusiastically sign onto their perpetually expanding list of grievances. The Befuddled Witch of the East, a creature whose default setting was apoplectic rage, even managed a semi-coherent screed opposing the aid, though her reasoning remained, as always, lost somewhere in the dense fog of her own bewilderment.

But here’s where the plot thickens, loopers, like a cauldron full of ill-conceived witch’s brew. A deep dive into Glinda’s magical rap sheet revealed a rather inconvenient truth for both sides of the Oz divide. The notion that she was some secret weapon of the Progressive lobby was pure, unadulterated fantasy. Nor was she some knee-jerk anti-Wizard revolutionary, itching to dismantle his flimsy empire of illusion. Case in point: her staunch defense of the Wizard’s “Official Oz Legal” immunity, a loophole wide enough to drive a fleet of Winged Monkeys through, protecting his every questionable act committed under the banner of “governance.”

No, Glinda, it turned out, was a far more insidious beast. She was a disciple of the “persuasion paradox.” Forget your ancient spells and dusty grimoires, this was a weapon forged in the fires of pure, unadulterated observation. Watch. Listen. Ask questions. Argue less. Persuade more. It was the antithesis of everything Oz stood for, a land where political discourse generally involved escalating decibel levels, launching personal attacks with the accuracy of a drunken Monkey, and, when all else failed, unleashing the aforementioned simian hordes.

Her most audacious deployment of this insidious tactic came during the Great Ruby Slipper Debacle. Some wide-eyed innocent from Kansas, whose flying contraption had inconveniently pancaked the Wizard’s favorite Western Witch, was in possession of the coveted foot wear. The Wizard, ever the pragmatist when it came to optics and power consolidation, wanted those slippers. Badly. His master plan involved Glinda snatching them and handing them over to the Befuddled Witch of the East (BWE), a transparent attempt to appease the increasingly unruly Eastern provinces. But Glinda, that quiet operator, had been watching. She’d listened to the girl’s simple, desperate longing for that flat, desolate landscape called “home.” And instead of engaging in the usual Oz screaming match with the Wizard, she simply started asking questions. Deceptively simple questions about the true nature of power, the purpose of magic beyond political maneuvering, and the fundamental need for belonging that resonated even in a bewildered Kansan. She didn’t argue. She didn’t counter. She simply… guided. And like a whisper in a hurricane, she prevailed. The slippers stayed put, the girl and her mangy mutt skipped back to Kansas, a refugee crisis averted by the gentle, almost imperceptible, force of quiet persuasion.

And so Glinda watched the latest digital lynching party unfold on the Toot-sphere, a barely perceptible smirk twitching at the corner of her lips. Let them rage. Let them post their tiny digital toots until their fingers bleed. She would, in her own unsettling, deeply humane way, continue to win. She would observe, she would listen, she would ask, and she would quietly, irrevocably, prevail. The swirling, chaotic vortex of Oz politics, a Category 5 shitstorm of epic proportions, would simply spin around her, the eye of the hurricane, a place of unsettling calm.

Stay tuned, loopers! The Yellow Brick Road is paved with broken promises and the occasional well-aimed banana. And Glinda? Well, Glinda is just getting started. The Oz citizens know it. And somewhere, deep in Riviera City, so does the Wizard. He just hasn’t quite figured out why yet.

Audiovision: You Can Run…

The wind carried a faint scent of desperation and bruised fruit through the dusty antechamber, a space where grand pronouncements went to fester amongst discarded banana peels and mango pits. Here Curtis Loki, a simian with a spiffy vest and eyes hinting a few gears shy of full-blown psychopathy, laid his grand designs before the Wizard of Oz.

The Wizard… a man whose booming voice couldn’t quite mask the tremor of age and whose dramatic flair usually landed somewhere between impressive and vaguely menacing, reclined on a leather captain’s chair, a gift from a prominent Oz lobbyist. He sipped tea, courtesy of the perpetually twitchy Castleforce Guild leader and listened with an air of bored indulgence to Loki’s manic pronouncements.

Loki, all frantic monkey paw-wringing and self-important chest puffs, unveiled his masterpiece: the “Doctrine of Inherent Wizardly Prerogative.” It was a deliciously simple concept, dripping with the kind of logic only a megalomaniacal monkey could concoct. True governance, he argued, sprang solely from the Wizard’s “divinely-inspired” (a phrase Loki lingered on with sycophantic relish) mind. All that tedious business of elections and public sentiment? Mere distractions. Like shiny pebbles to a flock of easily-amused working-class munchkins, winkies… and quadlings.

The Wizard, whose patience for town hall meetings was non-existent, lapped it up. No more endless debates about the poppy trade? No more agonizing over the precise shade of yellow for that infernal brick road? The prospect was intoxicating. Good Witch Glinda, with her tiresome insistence on “the will of the people,” suddenly seemed as appealing as week-old guacamole.

Loki, sensing the hook firmly set, elaborated. First, a subtle campaign of disinformation against those pesky elected munchkin, winkie, and quadling officials – whispers of poppy crop hoarding and an unhealthy fixation on blingy stones. Then, “streamlining initiatives”: petitions on enchanted parchment only the Wizard could decipher, town hall meetings atop Unclimbable Mountains, voting booths guarded by creatures whose temperament matched their sharp claws. The Wizard chuckled, a wheezing sound that promised impending doom. “Devilishly clever, Curtis!”

Finally, when the inevitable bleating of the disenfranchised masses arose, the flying monkeys, Loki’s nominal command, would “encourage compliance” with persuasive aerial maneuvers and, the pièce de résistance, strategically deployed protester blacklists. The details, Loki waved off, would bloom in the “glorious theatre of conflict.” From the next room, the Befuddled Witch of the East (BWE), a creature defined by confused chirps and water phobia, mumbled something about restless winkies.

In the throne room, amidst the Wizard’s smoky, slightly threadbare projection, the doctrine was unveiled. The munchkins, winkies, and quadlings, a motley crew easily bewildered by anything more complex than a freshly polished coin, listened with growing unease. Loki, perched beside the shimmering visage of the Wizard, radiated officious self-importance. When a brave munchkin dared to inquire about their recently elected Poppy Distribution representative, Loki smoothly dismissed him. “The power of the Wizard will not be questioned!” Doubt, he declared, was the rust of progress.

A winkie mentioned the existing “Charter of Oz”. Loki scoffed. A “quaint historical document,” a “preliminary sketch” awaiting the Wizard’s glorious final brushstrokes. The Wizard’s projection beamed, oblivious to the rising tide of bewildered resentment. “Embrace the Loki Doctrine,” he bellowed!

Then, Glinda’s voice, clear and sharp, cut through the smoky air. “Oh dear. It seems someone has been reading too many pamphlets on ‘How to Subvert Democracy for Dummies.’” The audacity, she implied, was truly breathtaking. Loki paled. The Wizard’s projected face wobbled.

In the ensuing chaos, as the assembly began to murmur and regard the flying monkeys with newfound suspicion, Loki knew his window was closing faster than a winkie’s eyelid in a dust storm.

Back in the increasingly chaotic antechamber, littered with stray feathers and overturned furniture, Loki stuffed pilfered blingy stones and suspiciously shiny adornments into a small satchel. “Strategic repositioning,” he muttered. The glorious chaos having arrived, though not quite as he’d envisioned.

The Wizard burst in, looking crestfallen and thoroughly put out. Tomatoes, overripe ones at that, had been hurled at his projection. Glinda was being sweetly reasonable, droning on about fundamental rights. Meanwhile Loki feigning concern, suggested a tactical retreat to preserve the Wizard’s “magnificent aura.”

“But, but, but… my absolute power!” the Wizard wailed.

Loki, patted the Wizard’s arm condescendingly. Power was fluid, he explained. Sometimes, a cunning individual needed to let the turbulence subside, a new power vacuum to form. And who better to fill it than a seasoned advisor with a name that had a certain… ring to it? He glanced meaningfully at his bulging satchel..

Suspicion finally dawned in the Wizard’s bewildered eyes. “Curtis… are those my spare emerald cufflinks?”

“I saved them for you!” Loki chirped, just as a gaggle of singed and furious flying monkeys stormed in. Promises of fermented mango juice had yielded only angry prohibitionists and a lecture on temperance from Glinda. Loyalty, it seemed, had its limits, especially when faced with ripe projectiles.

“Loki!” they shrieked, advancing menacingly.

The Wizard pointed a trembling finger. “You were using me! This whole ridiculous ‘inherent prerogative’ BS was a ruse!”

Loki grinned sheepishly. He knew the jig was up. “All’s fair,” he quipped, “in love and the overthrow of democratically elected swamp critters. Besides, think of the legend! Curtis Loki, the monkey who almost…”

His voice faded into the chaos as flying monkeys descended in a flurry of feathers and angry chitters. The Wizard watched, a morbid fascination replacing his outrage. From the next room, the BWE’s voice surprisingly lucid, drifted in, complaining about the recent surge of migrant Oompa Loompas.

The lights faded on the sounds of simian squabbling and the Wizard’s bewildered sighs. The Loki Doctrine, born of manic ambition and a surprising taste in spiffy vests, had imploded. The game, as Loki had craved, had indeed begun, though he now found himself firmly on the receiving end of its brutal, sticky consequences. For now, at least. A monkey with a taste for power rarely stays down for long.

Stay tuned… to be continued.

Wizard Whisperer

By the smoking shrooms of the Riviera City, what fresh hell is this? Stan Diller, they call him. Diller Monkey, the festering boil on the backside of Oz. This ain’t your cuddly winged primate flinging feces for giggles, no sir. This is a creature brewed in the very cauldron of Quadling nationalist bile, a walking, squawking hate-balloon who somehow, by the grace of some seriously twisted karmic joke, has the ear – and apparently the drooling attention span – of the goddamn Wizard.

They gossip, these nervous little Munchkin handlers with their sweaty palms and darting eyes, that Diller is the “Wizard Whisperer!” More like the Wizard’s ventriloquist, shoving his twisted rhetoric up the old man’s puppet-hole while the Wiz just blinks and nods like a wind-up jack-in-the-box. Remember that fiasco at the Castleforce Guild global summit? Poor Wizard, nodding off like a goddamn used car lot inflatable tube-man gone limp, and there’s Diller, his beady little monkey eyes gleaming with some kind of perverse pride, practically dragging the befuddled old coot out by the sleeve. You’d almost feel sorry for the Wizard, if you weren’t so busy choking on the stench of Diller’s racist policies.

Family separation at the border? “Zero tolerance” for anyone who doesn’t sport pristine Quadling papers? Banning Oompa Loompas? This is pure, uncut Diller Monkey madness, a xenophobic freak show orchestrated by a tiny, bitter primate with a heart full of rusty nails and a brain marinated in White Quadling grievance. All the more puzzling is the fact that Diller is a flying monkey. A race of creatures formerly demonized and nearly exterminated by the very Quadlings he currently champions. Irony, apparently died in the realm years ago. And the Wizard, bless his fading faculties, scarfs it up like a Big Mac and large fries.

“A simple, no-brainer,” Diller chirps, regarding the trauma inflicted on families ripped apart at his command. This is the kind of soulless pronouncement that should send a chill down the spine of every sentient creature in this cursed land. “The powers of the wizard… will not be questioned!” he screeches, his voice echoing with the unmistakable timbre of a tinpot dictator in the making. Familiar, you say? You bet your lollypop stick it’s familiar. It’s the sound of freedom getting a fake-news red pill shoved up its bum.

And the literary tastes of this creature? Mourning the loss of some scribbler peddling White Quadling “genocide” fantasies in the pages of “Blackheart,” that festering rag for the Oz alt-right? Of course he did. Because this isn’t about policy for the common good, loopers. This is about the primal, gut-level ugliness of racial animus, plain and simple. Diller Monkey isn’t interested in making Oz great again. He’s interested in making it “white” again. Whatever the hell that means in a land full of tin woodsmen, upright lions, and talking scarecrows.

So here we are… the Wizard, the once-revered reality-TV star, now a doddering puppet dancing to the tune of a racist little monkey. The citizens voted for a Wizard, but what they got was Diller, the “Wizard Whisperer,” the architect of Oz’s slow, agonizing descent into a xenophobic hellhole. And all we can do is show up, amidst the crumbling grandeur of Riviera City, and rage against the machine. Because in the grand, twisted theatre of Oz, that’s the only goddamn sane response left.

Stay tuned… much more to come.

Audiovision: Fly My Pretties!

The rain… a perpetual shroud over the fetid swamp of DC, mirrored clammy despair in the heart of someone whisperingly referred to as the Befuddled Witch of the East (BWE). Not a cackling crone of storybook malice, but a figure of unsettling obsequiousness, her very presence a damp chill upon the sunniest glade. Her name, if she ever possessed one beyond the epithet, was lost in the miasma of her singular, consuming obsession: the great and terrible Wizard of Oz.

Like Uriah Heep, that crawling embodiment of false humility, BWE haunted the periphery of the Riviera, her shadow a constant, unwelcome guest. Each pronouncement from the Wizard, each flick of his theatrical wrist, was met with her fervent, unsettling adoration. “Oh, most wondrous Oz,” she would croon, her voice a wheezing whisper, “your brilliance blinds me, a humble speck in the dust of your magnificent eminence.” The Wizard, a man of smoke and mirrors, found himself perpetually slimed by her devotion, recoiling inwardly at her damp palms and the unwavering, unsettling gleam in her wide, unblinking eyes. He’d force a strained smile, a practiced gesture of benevolence that never quite reached his own authentic countenance.

Her dwelling, a dilapidated hovel sinking into the mire, was a testament to her singular focus. Scraps of emerald fabric, pilfered or bartered for with dubious trinkets, adorned the rotting walls like pathetic devotional offerings. She hoarded every discarded pronouncement from the Wizard, every stray spark from his grand pyrotechnic show, as holy relics. Her days were spent in a grotesque pantomime of service, offering bombastic bumper sticker slogans or suspiciously dubious conspiracy theories to any unfortunate soul venturing near the Riviera, all the while proclaiming her utter unworthiness compared to the glorious Oz.

But beneath the veneer of simpering devotion, a darker current stirred. As Uriah Heep’s false humility masked a gnawing ambition, so too did BWE’s obsession curdle into a grandiose delusion. In the long, dreary evenings, amidst the croaking of unseen things in the swamp, a transformation would take hold. The stooped posture would straighten, the wheezing whisper would deepen into a resonant pronouncement. She would gaze into a cracked, tarnished mirror, not seeing the gaunt, damp reflection, but the fiery eyes of Isobel Gowdie, the Scottish witch who confessed to consorting with the Devil himself.

“I am she!” she would declare to the silent, dripping rafters. “The ancient power flows through my veins! I ride the winds, command the shadows, and the very beasts of the air tremble at my decree!”

And here, the parody took its most ludicrous turn. BWE genuinely believed she commanded a legion of flying monkeys. In her mind’s eye, they were a terrifying, disciplined force, executing her malevolent whims with ruthless efficiency. In reality, the flying monkeys, a ragtag bunch of mischievous creatures with a penchant for petty chaos, simply tolerated her pronouncements. They found a certain amusement in her self-importance and the opportunities her “commands” presented for causing minor mayhem. A market crash here, a stolen election there – they were chaos agents, and BWE, in her delusional grandeur, provided the perfect, self-unaware puppet master.

So, the Befuddled Witch of the East lived out her days in a grotesque ballet of misplaced adoration and self-aggrandizing fantasy. She simpered at the feet of a Wizard who wished her gone, and she issued imperious commands to a band of flying monkeys who merely indulged her for their own amusement. The bogs of DC remained damp, the Riviera remained oblivious to the true nature of its most devoted admirer, and the legend of the Befuddled Witch, a gothic absurdity woven from delusion and damp despair, continued to fester in the shadows. Her end, when it comes, will most likely be as anticlimactic as her life – a sudden, ignominious squashing, leaving behind only a pair of striped stockings and the lingering, unsettling echo of her fervent, misguided devotion.

Stay tuned… much more to come.

Onward through the fog… Rohlfie.

This Land: Kansas

Howdy, loopers, gather ’round the camp fire for a full-tilt rodeo of a tale! This ain’t your typical travel brochure drivel, mind you. No sir, this is a slapstick eulogy wrapped in a fever dream, seasoned with a dash of sand and color. Strap in, because we’re headed straight for the heartland, a place some folks derisively call “flyover country.”

First things first: full disclosure. I was hatched in Goodland, Kansas, a town so small it probably has its own tumbleweed support group. My parents, bless their tragically mismatched hearts, shuffled me between this so-called “good” land and Denver as regular as school seasons. But hey, summers were spent traipsing around the glorious front range with my outdoorsy step-mom and the old man – a nature enthusiast packing enough ordinance to battle a Russian platoon. Point being, Kansas (and Colorado) are in my blood, even if it’s a tad thin on account of all shuffling.

SIDE NOTE: hereafter, we’ll refer to my stomping grounds as “Kanorado” as, in addition to all that Front Range camping, i’ve spent time schooling or gigging in almost every Western Kansas town with a school or Opera House.

Now, some city slickers will tell you Kansas is nothing but a barren wasteland devoid of entertainment. Those sorry souls clearly haven’t bathed in the crystal-clear waters of Wilson Lake. Nestled snug against I-70 in good ol’ Bob Dole country, Wilson boasts the most transparent reservoir this side of the Missouri River, likely due to all that golden limestone chilling at the bottom. Speaking of limestone, the Rocktown trail is a naturalist’s technicolor dream – a geological wonderland teeming with flora, fauna, and rock formations that’d make Moab, Utah smile.

But hold on to your cover, loopers, because there’s more to Kansas than meets the eye. The Flint Hills, once a stomping ground for John Brown and his gorilla raiders, roll on like a never ending emerald wave. Tall tails of outlaw chicanery featuring such familiar names as Buffalo Bill Cody, Wild Bill Hickok, and Calamity Jane to name a few did at least some of their stompin’ right here in the flyover. General Dwight D., “Beware of the Military Industrial Complex,” Eisenhower from Abilene went on to kick some Nazi arse, and hey, music lovers, get this: Joe Walsh, that guitar-slingin’ jester himself, hails from Wichita!

Now, speaking of Kansas loopers, let’s get one thing straight: they’ve heard every “Wizard of Oz” joke you may have in your quiver. They won’t laugh, but they’ll wear those ruby-red kicks like a badge of honor. Now, about sports – Rock Chalk Jayhawks? Sure, they bleed crimson and blue, but they also have a healthy respect for the KCMO pro teams (GO Chiefs!). West of Wichita, however, Jayhawk fandom gets met with raised eyebrows. Many Western Kansas peeps are more partial to the Denver Donkeys. Can you believe the audacity?

Kansas City itself is a tale of two quarreling siblings. The Kansas-Missouri border rivalry stretches all the way back to the Civil War, when things got downright bloody (look up “Bloody Kansas” if you have a strong stomach). Politically, Kansas loopers tend to lean conservative, but mess with their personal liberties and you’ll see a realpolitik “don’t tread on me” spirit rise faster than a prairie dust storm. Remember that ballot initiative to control women’s bodies? Kansas loopers saw through that religious mumbo jumbo faster than a jackrabbit on a hot tin roof.

Here’s the thing about Kansas: everyone wants to claim their little town as Superman’s birthplace (Smallville), but Clark has yet to release the birth certificate so the mystery… persists. There may not be any Clark Kents out there, but there is a cause to pause, vis a vis the particular vein of grit these people exhibit. Kansas loopers are a tough lot. Most of them can drive a stick shift and have probably piloted a tractor at some point in their lives. “Home on the Range” ain’t just a song, it’s a way of life. Before corporate greed gobbled up family farms, everyone either pitched in as hired help or knew a farmer by name. Minnesota nice? Pah! Those loopers are downright chatty compared to the almost painfully polite Kansas loopers. Being the literal “heartland” of the country has its perks – neighbors here look out for each other. Need to borrow a chainsaw? No sweat. Dog gone rogue? The whole town will be on the hunt. Need a cup of sugar, or a smoky coffin nail? If they got it, you got it. Kansas loopers have a fierce sense of loyalty, that is, until karma comes knocking. They believe in what goes around comes around, faster than a tumbleweed in a tornado.

Ah, Kansas… flatter than a Baptist hymn board and about as exciting as watching paint dry? Newsflash, chuckleheads: Kansas loopers know their state’s a canvas painted in shades of endless prairie. West of Wichita, some would vote to make the telephone pole the state tree. But here’s the thing – pick a quiet spot out in the country at the “golden hour,” and you’ll be met with a spectacle that would make even God herself tip the sun bonnet. Sunsets in Kansas, loopers, are like a knife fight between angels – a Technicolor brawl that leaves the sky bruised with purples, oranges, and a fiery red that would make a MAGA hat look downright pale.

So, on to the point of this screed. To write a verse for Kansas to add to Woody Guthrie’s classic, “This Land.” I decided to dig a little deeper than a prairie pothole and get the lowdown on our state motto, “Ad Astra per Aspera” – that’s Latin for “To the stars through difficulties,” you heathens. I cornered a “student success coach” at the Kansas Wesleyan University library, and a Kansas history whiz at the Hays Public Library. Both of them, bless their unoffensive coffee mugs, talked about the state’s rough-and-tumble beginnings – the dust storms that could choke a billy goat, the grasshopper plagues that made the Bible look like a picnic. But here’s the thing: these scrappers, these pioneers with callouses on their souls, they persevered. They looked up at that endless Kansas sky, saw the Milky Way sprawled out like a cosmic wheat field, and said, “You know what? We’re going to reach for those stars, even if it means clawing our way through a mountain of misery first.”

And that, my friends, is the Kansas spirit. It’s in the way the wheat sways in the wind, a silent symphony of resilience. It’s in the way a small town pulls together after a tornado, stronger than ever. It’s in the way a Kansan, with a twinkle in their eye and a calloused hand extended, welcomes you to their state, even if you are, ahem, flyover challenged.

So, the next time you think about taking a potshot at Kansas, take a long look at a map, friend. Because out here, under skies that put on a nightly light show that would shame the Vegas Sphere, we’re reaching for the stars, one sunset at a time. And that, folks, is a beautiful thing.

And so… without further adieu, combining my personal experience, some light research queries, and my conversations with the above librarians, here’s a Kansas verse for This Land, by Woody Guthrie.

Onward through the fog… R.H.

As i was rolling…
Through the Kansas wheat fields…
I saw the Milky Way…
As a quantum field…
And though the way is…
Fraught with trouble… peril…
These folks…
Have made it to the stars!

Loopcircus