This Land: Rhode Island

On a heat-dome addled Monday in Tewksbury, MA, Ronnie and Rocinante slid into a local convenance store for fuel and to replenish the ice chest. As Ronnie was interacting with the generously inked and dreadlocked counter attendant, his manager, clearly the owner of this mom & pop operation, looked Ronnie in the eye and said, “Do you have an accent?” Now, Ronnie had just returned from another provisions outlet where he overheard a conversation between associates.

“I think this point of sale terminal is malfunctioning in ‘cash mode.'” she said, “I’m gonna set it for cad-only.'” Now, is that a typo on our part? NO! She said “cad,” but what she meant was “card.” So, Ronnie remains a bit perplexed as to whom exactly has the accent.

Ronnie, responding to the convenience store owner said, “It seems nobody has an accent till they get around people with a different one.”

Truer words.

Anyway, we’re in Rhode Island for this post, and for some reason, Ronnie had experienced some sleep irregularities. Not the norm mind you, but it happens and when it does some wild dreams get remembered (example?). Case in point, Day #2 in Coventry, another invasion of Ronnie’s peaceful sleep cycles… a sort of blathering screed about that mostly coastal postage stamp of a state. And who’s the narrator? That cartoon fat man, a walking testament to the American diet and the utter collapse of television censorship, Peter Griffin. Jesus Christ, is this what we’ve come to? There must have been something weird about that clam chowder Ronnie got from the local grocery? The horror, the horror

Peter, in a fit of fiery indignation, started in on one of the state’s founders, “This Roger Williams character. A refugee, they say. Fled persecution. Bullshit! He was probably just too goddamn weird even for the Massachusetts Puritans, and that’s saying something. He bought some land, probably with a handful of cheap beads and a bottle of rotgut whiskey, and declared it ‘Providence.’ A sanctuary! For who? For the ‘weirdos and misfits,’ the ‘guys who do a little this and a little that.’ Sounds like a goddamn convention of the criminally insane, doesn’t it? ‘Rogue’s Island,’ they called it. More like Rage Island, or Rancid Island, a Petri dish for every festering perversion known to man…” Suddenly, a voice from the men’s restroom, “Giggity!” Then silence.

He continued, “And the Constitution! Oh, the glorious, blood-soaked parchment of American liberty! While the rest of the nascent republic was trying to cobble together some semblance of order, Rhode Island was apparently sittin’ on the couch like, ‘Nah, I’m good. I’m readin’ the Farmer’s Almanac.’ Good Christ!” Peter was on a roll. “The sheer, unadulterated laziness of it! Not principled dissent, mind you, but pure, unadulterated apathy, only stirred into action by the threat of losing their ‘beer money.’ This wasn’t a fight for freedom; it was a shakedown, a desperate scramble to avoid the inevitable taxation that always follows the grand pronouncements of liberty.”

Peter signaled the bartender for another round and pressed on. “‘Ocean State,’ they crow. Four hundred miles of coastline! Fourteen percent water! As if this is some grand revelation. It’s a goddamn island, you morons! What did you expect, a desert? It’s like boasting your bathtub is full of water. It’s a transparent attempt to distract from the real stench, the profound, unsettling truth about this place.”

In the hazy mist of the dream, Ronnie wasn’t a hundred percent sure to whom Peter was directing his rant, but the outlines of his Afro-Cuban neighbor, Cleveland, began to materialize, a half-empty beer in front of him. Peter, looking skyward in righteous reverie continued, “And the slavery, oh, the slavery! ‘First to abolish,’ then ‘Just kidding!’ A legislative sleight of hand, a cynical wink and a nod to the rum distilleries and the triangular trade. Six point three percent of the population enslaved in 1774, almost double the New England average. Don’t tell me about ‘freedom’ and ‘liberty’ when the very foundation of your prosperity was built on the backs of stolen lives. It’s the same old hustle, isn’t it? Preach the gospel of freedom while your pockets are stuffed with ill-gotten gains. The hypocrisy, man, it’s enough to make you chew your cartoon arm off.”

“I like rum,” Cleveland said, his deadpan delivery barely audible in the wake of Peter’s fog-horn tirade.

“Rogue Island,” Peter lampooned, “first to tell England to buzz off, last to join the Union. A pattern emerges, doesn’t it? A chronic inability to commit, a perpetual state of adolescent rebellion, always wanting to be the special snowflake, until the big boys threaten to cut off their allowance. It’s not courage; it’s just plain pig-headedness.”

“And the voting! Jesus… the goddamn voting! You needed $134 in property, for Christ’s sake! By 1840, only 40% of white men could vote. It’s a system rigged from the start, designed to keep the unwashed masses in their place, to ensure that the propertied few could continue their grotesque charade of democracy. And this ‘Dorr Rebellion‘… a pathetic, localized spasm of outrage, quickly squashed, leaving the fundamental rot untouched. The Supreme Court, naturally, ‘wouldn’t touch that.’ Why would they? It’s all part of the grand, unspoken agreement to keep the boot on the neck of the regular folks here at the Drunken Clam.”

The rest of Peter’s drinking buddies began to materialize. Peter soldiered on, “then the vampires! Good Christ, the vampires! Tuberculosis, they say, but the rubes, the goddamn rubes, they saw bloodsuckers. Digging up bodies, burning hearts. It’s not just a historical footnote; it’s a profound metaphor for the state of the superstitious soul. When faced with the inexplicable, we resort to primitive rituals, to burning and fear, rather than confronting the cold, hard facts. And a ‘vampire heart’ for a couple of beers? That’s the kind of logic that gets you locked up in a padded room with a straightjacket.”

“The Civil War, the Gilded Age, the KKK burning a school for black children… a relentless parade of entitled ugliness. Industrial might built on exploitation, wealth amassed by robber barons, and the persistent, festering cancer of racial hatred. And the Catholics! The most Catholics! Just another demographic shift, another wave of huddled masses yearning to breathe free, only to find themselves crammed into textile mills and subjected to the same old Capitalist grind.”

Peter was beginning to sound like a Billy Joel song,Bike paths, clam chowder, johnnycakes… meaningless diversions, crumbs thrown to the masses to keep them from noticing the true horror. And the mob! The Patriarca family, running New England from Providence for forty years. Now that’s the real power, isn’t it? Not the politicians, not the courts, but the silent, brutal efficiency of organized crime. It’s the only thing that makes sense in this goddamn asylum.”

“And the ultimate indignity?” Peter was starting to sound magnanimous, humble, even. “The state’s defining cultural artifact is a cartoon, a crude, blustering, ironically lovable cartoon with absolutely no redeeming qualities.”

Peter Griffin, working at the Pawtucket brewery, lampooning the very place he inhabits. It’s the final, damning indictment. Rhode Island, a place so steeped in its own absurd contradictions, that its best legacy is a perpetual punchline delivered by a cartoon with a metric ton of ironic jokes, none of which are too good to be driven into the ground or, “the bottom of Greenwich Bay you landlubbers.” Say what you will about Rogue Island, it can’t get weird enough for Ronnie & Rocinante… they love it here.

Onward through the fog… Rohlfie

When the Puritans…
Come off too venomous…
You’ve Rhode Island…
For your providence…
Four hundred miles of…
Shore line restlessness…
Meet me and Griffin…
At the Drunken Clam.

This Land – Mississippi

They say Mississippi is a great place to commune with ghosts, that Mississippians love a good story. And so, in honor of the great state of Mississippi, here’s a real doozy of a ghost story. Mostly inspired by a dream from our first restless night in here. For some reason, Ronnie awoke around 4:00am, probably from a limb scraping against the side of the van nudged by a gentle breeze (or something like that). Anyway, fragments of the dream are drastically embellished below… Enjoy!

The setting is a ghostly confab at a fabled haunted house, the McRaven House, in Vicksburg, Mississippi.

Attendees:
Sam Clemens
William Faulkner
Edger Poe
Margaret Mitchell
Ambrose Bierce
Kate Stone

The McRaven House, a skeletal silhouette against the bruised, twilight sky, pulsed with an unearthly chill. Inside, or rather, through the decaying grandeur of the parlor, a spectral congress convened. Skulking around the fringes of this gathering is the ghost of little Maggie, playing trickster pranks on the adults, generally bringing a sense of dark levity to the air.

We open with a tight shot on Mr. Clemons, a wisp of white mustache and sardonic grin, his cigarillo fuming. He’s leaning against the hearth, its phantom flames licking at the soot-stained bricks. “Well, gentlemen, gentleladies, and… whatever that is,” he gestured vaguely at a giggling, translucent figure flitting near the chandelier, “let’s get down to cases. How are our successors faring? Are any of them capable of spinning a yarn worth a damn?”

Mr. Faulkner, a cloud of tobacco-scented gloom, swirled into view. “Faring? They wallow, Sam. They wallow in the shallow pools of… of instant gratification. They cannot understand the… the weight of history, the… the tangled roots of the South. They write… tweets, truths, threads, blue butterflies. Shit postings! Hardly enough for Walt to call a ‘barbaric yawp,’ and this is supposed to encapsulate the human condition? Absurd.”

Edgar Poe, his eyes dark, hollow pits, floated near a dusty window. “They seek brevity, a fleeting spark of… of sensation. They have lost the exquisite agony of prolonged despair. They write of… of vampires with sparkling skin. My own horrors, once so profound, are now… romantic comedies.” He shuddered, a sound like a rustling death shroud.

Ms. Mitchell, her spectral Scarlett O’Hara flouncing slightly, adjusted a phantom shawl. “Darling, it’s simply dreadful. They’ve taken my beloved South, my tragic heroes, and… and they’ve made them into… into soap operas! They’ve diluted the very essence of suffering into… into sickly sweet drivel.”

Ambrose Bierce, his face a mask of cynical amusement, materialized near a broken mirror. “Irony, my dear Ms. Mitchell, is the universe’s most exquisite mistress. And it seems they have long since hung her in a cheap motel room. With the veritable parade of ironies cavalierly overlooked by average folks these days, one must imagine the poor girl spinning in her grave like a top. These mere mortals believe they have conquered death, disease, and ignorance. Hell, some of them actually believe their clever technologists have them on the verge of immortality! Absurd doesn’t even come close to describing their delusion.”

Ms. Stone, her translucent form radiating a quiet, melancholic strength, drifted near the window. “They have forgotten the true cost of war, the devastation it leaves in its wake. They romanticize conflict, turn it into… entertainment. They have no concept of the hunger, the loss, the sheer… futility. And now, they’re bringing those silly biblical prophecies into the picture… again. They can’t wait to launch a third global conflagration.”

A sudden, chilling giggle echoed through the room. Little Maggie, the spectral trickster, had replaced Faulkner’s pipe tobacco with a wisp of Spanish moss. He sputtered, the moss dissolving into thin air. “They also believe,” Maggie piped up, her voice a ghostly whisper, “that they can photograph ghosts with their… their ‘smartphones’. They take pictures of… of dust and claim it’s us.” She cackled, a sound like wind chimes in a graveyard.

Clemmons chuckled, a low, rumbling sound. “Indeed, child. They attempt to capture the intangible, the unseen, with their… their digital trinkets. They have become slaves to the very technology they believe liberates them. They spend their days staring at glowing rectangles, believing they are experiencing… life.”

Poe raised an eyebrow. “They believe the darkness can be banished with… with light. They illuminate every corner, every crevice, yet they remain blind to the true shadows that lurk within their own souls.”

Mitchell sighed dramatically. “And the fashion! Oh, the atrocities they call fashion! They wear… leggings as trousers leaving nearly nothing to the imagination! It’s simply… barbaric.”

Bierce, ever the cynic, added, “They have created a world of… of curated perfection. Every image, every interaction, filtered and polished to remove any trace of… of authenticity. They live in a world of lies, and they call it… social media.”

Maggie, now floating upside down near the ceiling, began to hum a discordant tune. “They think they can solve the world’s problems with… with the pound sign, they call it a ‘hashtag.’ They use it to pass around short photoplays like chain letters spreading like the plague, and say these picture shows can change the course of history.”

Faulkner, still slightly flustered by the moss incident, muttered, “They cannot grasp the… the cyclical nature of time. They repeat the same mistakes, generation after generation, oblivious to the… the echoes of the past.”

Clemons, leaning against a bookshelf, concluded, “In short, they are a collection of self-absorbed, technologically addicted, historically ignorant… fools. And they think we are the phantoms.”

A chorus of ghostly laughter filled the McRaven House, echoing through the empty rooms, a testament to the enduring irony of the mortal plane. Little Maggie, her eyes gleaming with mischievous delight, began to pull the spectral drapes from the windows, plunging the room into an even deeper, more unsettling darkness.

Onward through the fog… RH

In the town of Vicksburg…
In the house McRaven…
You may encounter…
Some ghostly maven…
And like the flow of…
The Mighty Mississip…
Everything that changes…
Stays the same.