Audiovision: Damn Hippies

The air above Bethel New York, on that muggy June afternoon, hung thick and viscous like raw maple syrup, but with a distinct, cloying undertone that set Roland’s teeth on edge. It wasn’t the sweet, innocent scent of verdant fields or the faint, hopeful whisper of a summer breeze. No, this was the unmistakable, unholy reek of patchouli – a pungent olfactory assault, clinging to the very molecules of the atmosphere like desperate, unwashed barnacles. Roland, a man whose befuddlement had, with each passing year, calcified into a semi-permanent state of bewildered indignation, felt a familiar tremor of primal loathing course through his very soul. He’d embraced post-hippie Americana with the zeal of a Trappist Monk. Glad to have purged himself of the “Happy Days” and “Leave It to Beaver” plastic conformity and suburban blandness. But a patchouli come-back? That was a bridge too far, a community sensory violation of the highest order.

Roland was on break from managing a fairly obscure death metal band on tour (hey, it’s a living). And since the band’s last stop was near Bethel, New York, he was on a pilgrimage of sorts to the hallowed, if now slightly commercialized, grounds of Woodstock. He walked with the determined, slightly off-kilter gait of his youth hero, Raul Duke (Hunter S. Thompson’s alter-ego)… his mind a furious, churning maelstrom of conflicting philosophies. He’d always championed the counter-culture’s crowning achievement: calling bullshit on the whole ghastly charade of using deadly force as the default geopolitical negotiation tool, specifically, the War in Vietnam. By God, those flower children had a point! Turning teenagers into stone-cold killers, risking life and limb for some phantom anti-socialism cause, all before they could even vote or legally drink a damn beer! That, he understood. That, he respected.

But then, the mutation. The festering, unholy blight that had slithered out of the psychedelic garden and into the crisp, digital air of the 21st century. The same crunchy-granola crowd, now with eyes glazed over by YouTube algorithms and a disturbing reliance on memes as verifiable truth, had morphed into the right-wing, conspiracy-obsessed, anti-vax movement. And that was Roland’s personal hell. That was the unholy alliance of utopian delusion and outright, fact-averse idiocy that made his blood boil like a forgotten stew on a low flame. He, Roland, the man who couldn’t fathom anyone seriously considering themselves “researchers” simply because they’d skimmed a few vax-skeptical tracts, was now face-to-face with the horrifying reality: formerly eradicated diseases, like Polio, was threatening a triumphant, macabre return.

Polio, for God’s sake!

His internal monologue was abruptly shattered by a voice, strained and vibrating with the nervous energy of a hyperactive squirrel on a double espresso. “Hey, brother! You feelin’ the energy of this place, man?” The voice got even more strident, “…the REAL energy… not what THEY want you to feel!”

Roland turned, his gaze falling upon a figure that looked like a bad acid trip had decided to grow a beard and buy a t-shirt that screamed, in distressed, tie-dyed font: “TRUST YOUR GUT, NOT BIG PHARMA!” The man was a former hippie, no doubt, but the peace-sign tattoo on his leathery forearm seemed to twitch with a manic, Meth-fueled intensity. His eyes, behind wire-rimmed glasses, darted around like desperate moths trapped in a jar, and strapped on his shoulder was a woven, multi-colored man-purse, embellished with some vaguely occult symbols. The patchouli, Roland realized with a fresh wave of nausea, was emanating directly from him. A walking, talking, perfumed monument to everything that had gone wrong.

“Excuse me?” Roland managed, his voice a tight, strangled rasp.

“The mandating, man,” the QAnonner railed practically vibrating with indignation. “They want to mandate our very bodies! The CDC, man, they’re just puppets for the globalists! It’s all connected! The RONA, the ‘vaccines’—” He leaned in conspiratorially, his breath, thankfully, less patchouli and more stale coffee and weed. “—it’s a control mechanism! A depopulation agenda! Do your own research!”

“Do my own research?!” Roland exploded, his composure shattering like a cheap vase dropped from a great height. His face, already a patchwork of indignation and bewilderment, now mottled to a furious shade of beet-red. “My ‘research’ involved listening to doctors, to scientists! Not some basement dweller with a Wi-Fi connection and a penchant for YouTube conspiracy theories! What about Polio? What about the millions who’ve died from ‘the RONA’ while you’re babbling about ‘control mechanisms’ and ‘depopulation agendas’?” He was fuming, a human pressure cooker teetering on the brink of catastrophic breach. The audacity! The sheer, unadulterated stupidity of politicizing public health, of weaponizing fear against the very tools designed to protect us! This was no longer about geopolitical chess games; this was about basic, communal survival! Roland was teetering on the precipice of falling into a sort of “Incredible Hulk” rage. He was on the verge of running amok.

The QAnonner, startled by Roland’s sudden eruption, recoiled slightly, then squared his shoulders, a glint of self-righteous fury in his meth-charged eyes. “You’re a sheeple, man! Blinded by the mainstream narrative! You just follow what they tell you, like good little consumers! The truth is out there, man, but you gotta open your third eye—”

That was it. The straw that broke the camel’s back, then stomped on it, then set it on fire. The “third eye” drivel, the smarmy condescension, the reek of patchouli – it all coalesced into a single, unbearable affront. Roland’s hand, almost independently, shot out like a startled cobra, snagging the QAnonner’s flimsy man-purse. The man yelped, a high-pitched squeak of surprise, as Roland yanked him closer, fumbling with his other hand into the deep pocket of his cargo shorts.

It was a Keystone Cops moment of pure, unadulterated slapstick. Roland’s fingers scrabbled, missing the canister once, then twice, before finally wrapping around the cool, metallic cylinder. The QAnonner, still yelping, tugged at his man-purse, an absurd tug-of-war unfolding on the very ground where Hendrix once wailed. Then, with a decisive grunt and a theatrical flourish, Roland aimed the nozzle.

Pssssshhhhhhhht!

A thick, orange cloud erupted, engulfing the QAnonner’s face. He shrieked, a sound that could curdle milk, his hands flying up to his eyes. He stumbled backward, tripping over his own Crocs, performing an impromptu, flailing dance of agony and confusion. He spun around, arms windmilling, looking for all the world like a psychedelic dervish suddenly possessed by a swarm of angry bees. He crashed to the ground in a heap, kicking and gasping, his protests dissolving into a series of moaning gurgles.

Roland stood there, breathing heavily, the pepper spray canister still clutched in his hand. A thin sheen of sweat beaded on his forehead, but a strange, savage satisfaction bloomed in his chest. “Go home,” he rasped, his voice hoarse but firm. “Go home, and reevaluate your damn life choices. And for God’s sake, take a shower. And burn that goddamn patchouli.”

The irony wasn’t lost on him, even in his befuddled state. He, Roland the Roadie, who applauded the youth of ’69 for standing against forced participation in global carnage, had just used a weapon designed to hurt other lifeforms, on a man who once probably preached peace and love. But this wasn’t about bullets or bombs; this was about basic, societal survival, about the return of ancient scourges, ushered in by the very spirit of individual enlightenment gone horribly, batshit crazy wrong. And sometimes, even a bumbling tired death metal tour manager had to put down the decibel meter and pick up the pepper spray.

Onward through the fog… Rohlfie

Audiovision: Fly My Pretties!

The rain… a perpetual shroud over the fetid swamp of DC, mirrored clammy despair in the heart of someone whisperingly referred to as the Befuddled Witch of the East (BWE). Not a cackling crone of storybook malice, but a figure of unsettling obsequiousness, her very presence a damp chill upon the sunniest glade. Her name, if she ever possessed one beyond the epithet, was lost in the miasma of her singular, consuming obsession: the great and terrible Wizard of Oz.

Like Uriah Heep, that crawling embodiment of false humility, BWE haunted the periphery of the Riviera, her shadow a constant, unwelcome guest. Each pronouncement from the Wizard, each flick of his theatrical wrist, was met with her fervent, unsettling adoration. “Oh, most wondrous Oz,” she would croon, her voice a wheezing whisper, “your brilliance blinds me, a humble speck in the dust of your magnificent eminence.” The Wizard, a man of smoke and mirrors, found himself perpetually slimed by her devotion, recoiling inwardly at her damp palms and the unwavering, unsettling gleam in her wide, unblinking eyes. He’d force a strained smile, a practiced gesture of benevolence that never quite reached his own authentic countenance.

Her dwelling, a dilapidated hovel sinking into the mire, was a testament to her singular focus. Scraps of emerald fabric, pilfered or bartered for with dubious trinkets, adorned the rotting walls like pathetic devotional offerings. She hoarded every discarded pronouncement from the Wizard, every stray spark from his grand pyrotechnic show, as holy relics. Her days were spent in a grotesque pantomime of service, offering bombastic bumper sticker slogans or suspiciously dubious conspiracy theories to any unfortunate soul venturing near the Riviera, all the while proclaiming her utter unworthiness compared to the glorious Oz.

But beneath the veneer of simpering devotion, a darker current stirred. As Uriah Heep’s false humility masked a gnawing ambition, so too did BWE’s obsession curdle into a grandiose delusion. In the long, dreary evenings, amidst the croaking of unseen things in the swamp, a transformation would take hold. The stooped posture would straighten, the wheezing whisper would deepen into a resonant pronouncement. She would gaze into a cracked, tarnished mirror, not seeing the gaunt, damp reflection, but the fiery eyes of Isobel Gowdie, the Scottish witch who confessed to consorting with the Devil himself.

“I am she!” she would declare to the silent, dripping rafters. “The ancient power flows through my veins! I ride the winds, command the shadows, and the very beasts of the air tremble at my decree!”

And here, the parody took its most ludicrous turn. BWE genuinely believed she commanded a legion of flying monkeys. In her mind’s eye, they were a terrifying, disciplined force, executing her malevolent whims with ruthless efficiency. In reality, the flying monkeys, a ragtag bunch of mischievous creatures with a penchant for petty chaos, simply tolerated her pronouncements. They found a certain amusement in her self-importance and the opportunities her “commands” presented for causing minor mayhem. A market crash here, a stolen election there – they were chaos agents, and BWE, in her delusional grandeur, provided the perfect, self-unaware puppet master.

So, the Befuddled Witch of the East lived out her days in a grotesque ballet of misplaced adoration and self-aggrandizing fantasy. She simpered at the feet of a Wizard who wished her gone, and she issued imperious commands to a band of flying monkeys who merely indulged her for their own amusement. The bogs of DC remained damp, the Riviera remained oblivious to the true nature of its most devoted admirer, and the legend of the Befuddled Witch, a gothic absurdity woven from delusion and damp despair, continued to fester in the shadows. Her end, when it comes, will most likely be as anticlimactic as her life – a sudden, ignominious squashing, leaving behind only a pair of striped stockings and the lingering, unsettling echo of her fervent, misguided devotion.

Stay tuned… much more to come.

Onward through the fog… Rohlfie.