Audiovision: Damn Hippies

The air above Bethel New York, on that muggy June afternoon, hung thick and viscous like raw maple syrup, but with a distinct, cloying undertone that set Roland’s teeth on edge. It wasn’t the sweet, innocent scent of verdant fields or the faint, hopeful whisper of a summer breeze. No, this was the unmistakable, unholy reek of patchouli – a pungent olfactory assault, clinging to the very molecules of the atmosphere like desperate, unwashed barnacles. Roland, a man whose befuddlement had, with each passing year, calcified into a semi-permanent state of bewildered indignation, felt a familiar tremor of primal loathing course through his very soul. He’d embraced post-hippie Americana with the zeal of a Trappist Monk. Glad to have purged himself of the “Happy Days” and “Leave It to Beaver” plastic conformity and suburban blandness. But a patchouli come-back? That was a bridge too far, a community sensory violation of the highest order.

Roland was on break from managing a fairly obscure death metal band on tour (hey, it’s a living). And since the band’s last stop was near Bethel, New York, he was on a pilgrimage of sorts to the hallowed, if now slightly commercialized, grounds of Woodstock. He walked with the determined, slightly off-kilter gait of his youth hero, Raul Duke (Hunter S. Thompson’s alter-ego)… his mind a furious, churning maelstrom of conflicting philosophies. He’d always championed the counter-culture’s crowning achievement: calling bullshit on the whole ghastly charade of using deadly force as the default geopolitical negotiation tool, specifically, the War in Vietnam. By God, those flower children had a point! Turning teenagers into stone-cold killers, risking life and limb for some phantom anti-socialism cause, all before they could even vote or legally drink a damn beer! That, he understood. That, he respected.

But then, the mutation. The festering, unholy blight that had slithered out of the psychedelic garden and into the crisp, digital air of the 21st century. The same crunchy-granola crowd, now with eyes glazed over by YouTube algorithms and a disturbing reliance on memes as verifiable truth, had morphed into the right-wing, conspiracy-obsessed, anti-vax movement. And that was Roland’s personal hell. That was the unholy alliance of utopian delusion and outright, fact-averse idiocy that made his blood boil like a forgotten stew on a low flame. He, Roland, the man who couldn’t fathom anyone seriously considering themselves “researchers” simply because they’d skimmed a few vax-skeptical tracts, was now face-to-face with the horrifying reality: formerly eradicated diseases, like Polio, was threatening a triumphant, macabre return.

Polio, for God’s sake!

His internal monologue was abruptly shattered by a voice, strained and vibrating with the nervous energy of a hyperactive squirrel on a double espresso. “Hey, brother! You feelin’ the energy of this place, man?” The voice got even more strident, “…the REAL energy… not what THEY want you to feel!”

Roland turned, his gaze falling upon a figure that looked like a bad acid trip had decided to grow a beard and buy a t-shirt that screamed, in distressed, tie-dyed font: “TRUST YOUR GUT, NOT BIG PHARMA!” The man was a former hippie, no doubt, but the peace-sign tattoo on his leathery forearm seemed to twitch with a manic, Meth-fueled intensity. His eyes, behind wire-rimmed glasses, darted around like desperate moths trapped in a jar, and strapped on his shoulder was a woven, multi-colored man-purse, embellished with some vaguely occult symbols. The patchouli, Roland realized with a fresh wave of nausea, was emanating directly from him. A walking, talking, perfumed monument to everything that had gone wrong.

“Excuse me?” Roland managed, his voice a tight, strangled rasp.

“The mandating, man,” the QAnonner railed practically vibrating with indignation. “They want to mandate our very bodies! The CDC, man, they’re just puppets for the globalists! It’s all connected! The RONA, the ‘vaccines’—” He leaned in conspiratorially, his breath, thankfully, less patchouli and more stale coffee and weed. “—it’s a control mechanism! A depopulation agenda! Do your own research!”

“Do my own research?!” Roland exploded, his composure shattering like a cheap vase dropped from a great height. His face, already a patchwork of indignation and bewilderment, now mottled to a furious shade of beet-red. “My ‘research’ involved listening to doctors, to scientists! Not some basement dweller with a Wi-Fi connection and a penchant for YouTube conspiracy theories! What about Polio? What about the millions who’ve died from ‘the RONA’ while you’re babbling about ‘control mechanisms’ and ‘depopulation agendas’?” He was fuming, a human pressure cooker teetering on the brink of catastrophic breach. The audacity! The sheer, unadulterated stupidity of politicizing public health, of weaponizing fear against the very tools designed to protect us! This was no longer about geopolitical chess games; this was about basic, communal survival! Roland was teetering on the precipice of falling into a sort of “Incredible Hulk” rage. He was on the verge of running amok.

The QAnonner, startled by Roland’s sudden eruption, recoiled slightly, then squared his shoulders, a glint of self-righteous fury in his meth-charged eyes. “You’re a sheeple, man! Blinded by the mainstream narrative! You just follow what they tell you, like good little consumers! The truth is out there, man, but you gotta open your third eye—”

That was it. The straw that broke the camel’s back, then stomped on it, then set it on fire. The “third eye” drivel, the smarmy condescension, the reek of patchouli – it all coalesced into a single, unbearable affront. Roland’s hand, almost independently, shot out like a startled cobra, snagging the QAnonner’s flimsy man-purse. The man yelped, a high-pitched squeak of surprise, as Roland yanked him closer, fumbling with his other hand into the deep pocket of his cargo shorts.

It was a Keystone Cops moment of pure, unadulterated slapstick. Roland’s fingers scrabbled, missing the canister once, then twice, before finally wrapping around the cool, metallic cylinder. The QAnonner, still yelping, tugged at his man-purse, an absurd tug-of-war unfolding on the very ground where Hendrix once wailed. Then, with a decisive grunt and a theatrical flourish, Roland aimed the nozzle.

Pssssshhhhhhhht!

A thick, orange cloud erupted, engulfing the QAnonner’s face. He shrieked, a sound that could curdle milk, his hands flying up to his eyes. He stumbled backward, tripping over his own Crocs, performing an impromptu, flailing dance of agony and confusion. He spun around, arms windmilling, looking for all the world like a psychedelic dervish suddenly possessed by a swarm of angry bees. He crashed to the ground in a heap, kicking and gasping, his protests dissolving into a series of moaning gurgles.

Roland stood there, breathing heavily, the pepper spray canister still clutched in his hand. A thin sheen of sweat beaded on his forehead, but a strange, savage satisfaction bloomed in his chest. “Go home,” he rasped, his voice hoarse but firm. “Go home, and reevaluate your damn life choices. And for God’s sake, take a shower. And burn that goddamn patchouli.”

The irony wasn’t lost on him, even in his befuddled state. He, Roland the Roadie, who applauded the youth of ’69 for standing against forced participation in global carnage, had just used a weapon designed to hurt other lifeforms, on a man who once probably preached peace and love. But this wasn’t about bullets or bombs; this was about basic, societal survival, about the return of ancient scourges, ushered in by the very spirit of individual enlightenment gone horribly, batshit crazy wrong. And sometimes, even a bumbling tired death metal tour manager had to put down the decibel meter and pick up the pepper spray.

Onward through the fog… Rohlfie

HSoB: Notes From the Road (pt1)

(A single spotlight hits an avatar, RONNIE HAYS, mid-60s, holding a worn acoustic guitar. He doesn’t play it. He just holds it like a shield or a piece of driftwood. He stares out, not at the audience, but through them.)

My pinkie toes. That’s what i remember about New Mexico. Not the Flagstaff sky, which was a shade of blue so deep i could’ve drifted upward into it forever. Not the train… a glorious old steam-belching dragon chuffing its way toward the biggest ditch on planet Earth. Nope… i remember my pinkie toes, both of them, singing soprano arias of pure, unadulterated pain inside a pair of waffle stompers that were just a whisper too narrow in the front. A purchasing error. A metaphor. I was trying to rise above the heat and the soul-choking smog of Albuquerque, to summit the Embudito Canyon Loop, but i was grounded by a millimeter of poor planning. C’est la. I turned back halfway up, defeated by footwear, then pointed Rocinante toward Georgia O’Keeffe’s ghost in Taos.

And like all of those “best laid plans”… a perfect day, ruined, setting me off on another journey altogether. You get those, sometimes. A gift. A trick. I was at Lake Wilson, back in Kansas. A limestone bowl of water so almost clear, like a dusty mirror on a rocky prairie. Not a breath of wind. The kind of day that makes you think the whole grand, chaotic carnival might just work out. And then the phone rang… a branch of the family tree just… fell to the grass… just like that… gone. The universe had provided a perfect day, and then, the bill. The HSoB tour was born right there, in the silence between the ringing and the news… an extended Bardo in motion.

And then, as if waking to a disjointed lucid dream, Cannery Row. Walking through the ghosts of Steinbeck’s worlds, smelling the salt and the history… beautiful. Then from the hand-held dream portal, i saw some new AI-generated video… something someone made with a sentence prompt. And soulless cartoon pop-stars with autotune larynxes, hitting all the right pitches on demand. Was this a dream, or were we building a world without flaws, without the shaky notes, without the happy accidents? A world of deus ex machina? A perfect, yet unrealized machine partnership? A place where my screaming pinkie toes would seem out of place.

What can we do? Here in the real(?) world… after the 2024 election, when the tectonic plates groaned and shifted rightward… a slow-motion drift that picked up steam with Bubba’s saxophone… and then poor Uncle Joe took to the debate stage like he was trying to remember where he’d left his tennis ball tipped walker… what do we do? I decided. I would be an anonymous troubadour… like Kwai-Chang Kane with a song list instead of Kung Fu. At worst, i’d languish in utter obscurity, singing to light posts and fire hydrants. At best, i’d become a gadfly on the rear end of a naked emperor’s pony. A tiny, buzzing annoyance for the forces of indecency.

Then came winter. The bomb cyclones and blizzards hammering the interior, but where was the Anonymous Troubadour? South Florida. All of January, February, half of March. I became a connoisseur of the Everglades, that “River of Grass.” Alligators sunning themselves like lazy, armored gods. The quiet hum of a billion insects. It was a primordial peace. Meanwhile, the forces of chaos were perfecting the art of “flooding the media zone.” A new outrage every hour, a new tweet to send half the country into a fit of cheering and the other half into a spiral of despair. The gasping death of democracy, playing out on a 6-inch screen with real life, ancient and unbothered, oozing by in a Florida swamp.

Then, Springtime in Foley, Alabama. A land of asphalt and every consumer convenience this roving malcontent could desire. Wide parking spaces. Good Wi-Fi. I almost stayed. But Mother Nature was cooking up her own brand of chaos. Springtime tornadoes, spinning up like God’s own potter’s wheel. I grew up believing this was a Kansas/Oklahoma thing. Now they were chasing me through the coastal South, as if to say, “You can’t escape the whirlwind, son. Not even here.”

On the way, i met a guy in a Louisiana dive bar who told me about Amos Moses, a local swamp-dweller who could allegedly dance with gators and heal the sick. A regular Cajun Jesus Christ. The New Apostolic Reformation had nothing on this guy. And while we were swapping local myths, the big, global myths were playing out in blood. The Holy Land, a place that’s anything but. Civilian casualties, famine, talk of ethnic cleansing and genocide. No easy answers, just the hard, cold reality of bellicose leaders discarding compassion like a soiled napkin. Even Israeli Jews were in the streets, screaming against their own government’s handling of the tragedy.

We find our bliss where we can. A perfect song, a mineral bath. Oh, Sweet Golly Miss Molly, the mineral baths. Glenwood Springs, Colorado. Hot Springs, South Dakota. Sinking into that sulfur-scented heat, you understand that this isn’t indulgence; it’s healthcare. It’s sanity. Ancient Romans knew it. I was just catching up. And while i was soaking, trying to dissolve the knots in my soul, the ticker tape of modern U.S.A. life scrolled on. In the year of our lord, 2025, there would be over 300 mass shootings. Over 300 little holes punched in the fabric of the country, one for every day, it was getting harder to feel whole. A perfect day… then the bill. Maybe i should avoid consuming news for a while.

Turn the page, and the Appalachians… the rolling hills of the Virginias and Carolinas were beautiful and suffocating. But towns like Boone and Morgantown were so peak-and-holler infested, driving through them was like being on a roller coaster you can’t disembark. It gave me a strange kind of claustrophobia. And then perspective… the morning news from Ukraine. Atrocities that make the U.S.A.’s 300+ mass shootings look like kindergarten playground scuffles. It’s all a matter of scale.

Then Pennsylvania… Amish country. A different kind of rolling beauty, pastoral and profound. The horse-drawn buggies, the men’s beards, the ladies’ bonnets. It was like driving through a photograph from a hundred years ago. Strange and wonderful. And then, as if Stephen King had personally designed our itinerary, we landed in Horseheads, New York. A town named for the mountain of bleached horse skulls discovered by early settlers. They put the weird right there on the welcome mat. From Horseheads’ digital nomad-friendly library we planned several day trips. From the macabre to the hallowed… Woodstock and the Big Pink. We meandered through the forest and landed outside the house where The Band forged their sound. I just listened to the whispering pines. After that, to Hartford, to see Sam Clemens and Harriet Beecher Stowe’s next-door visitor’s centers, wrestling with the soul of America a century and a half ago. Some fights never end.

Which leads us, of course, straight into the belly of the ailing beast: Washington D.C. The 250th birthday of the U.S. armed forces. The President wanted a parade, a big, gaudy show of military hardware down the Mall for his own birthday. In response, a “No Kings” protest was called. I went, expecting a worst case scenario, like Kent State, like Tiananmen Square. What did i find? Maybe a hundred people. Mostly old hippies, the very same tie-dyed specters Stephen Miller claims to be a clear and present danger to the republic. Lots of smoke. No fire. An insurrection of gray ponytails and Birkenstocks.

And the road goes on forever… stay tuned… much more to come.

(Ronnie Hays looks down at the guitar in his hands, as if noticing it for the first time. He strums a single, unresolved chord that hangs in the air, then begins to sing…)

I got a black bomb…
It’s tickin’ away…
I’m gonna take it out…
On the Blue Highway.

(The spotlight fades to black.)