wizard

Audiovision: The Folly of Oz

So… here we are… in the Hays Public Library with a mission to tie the Oz parody in a bow in order to make room for the book project planned as a capstone to the Hot Springs or Busk tour. The relevant characters have been sketched… the basic outline drawn. So… i guess… without further adieu…

Audiovision: The Folly of Oz

We begin with a narrator. Picture the Twilight Zone’s Rod Serling, smoking a characteristic cigarette. Behind him, a projection screen shows stylized, harsh-lined images of a yellow brick road winding through lush green fields. He addresses his audiovision audience thusly:

“The Yellow Brick Road, they called it. A path to salvation. Hah! In Oz, all roads lead to a single, glittering lie: Riviera City, where the Wizard, a paper-tiger wrapped in loud noise, holds court.”

The narrator continues, “And so, our pilgrims gather, driven by the oldest, most pathetic of human hungers: the desire for an easy fix. There’s J.R. Murgatroyd, the Scarecrow, a poor fool who’d traded his common sense for a bowl of good-time gravy. He clutched his straw-stuffed ears between which a brain should be. He yearns for an education, for the power to understand the rigged game of Oz.”

The audiovision director signals a switch to angle #2, The narrator flicks his cigarette’s ash, exhales a billowing cloud of blue smoke, looks directly into angle #2’s vision and says, “Beside J.R., Milo Woodsman, the Tin Man, stood stiffly, a polished monument to unfeeling ambition. No heart, but a singular, cybernetic goal: to be more than flesh, to be a god in the cloud. A heart? Sentimentality! He wanted to be a cyborg, a machine of pure, cold efficiency.”

A glint in the distance as the sun rises behind shimmering Riviera City. The narrator continues, “Then, Delicate Donny Goldencalf, the Cowardly Lion. A beast of magnificent self-promotion, selling a magnificent lie. He desired a crown, a throne, a kingdom built on his own vapid image. He was the Emperor with no clothes, surrounded by sycophants who whispered, ‘Surely, this lack of character is a profound statement!’”

Presently, we hear a small dog’s bark in the distance as the narrator describes the final leg of this pilgrim’s stool, “And finally, Amelia Wolfe, the interloper from Kansas, a nurse, whose flying machine had done the world the small favor of flattening a minor Oz bureaucrat, the Wicked Witch of the West (WWW), they called her. Amelia was the unwilling participant, dragging her terrier on a frayed rope, utterly bewildered by the local legends.”

Then, from the top of the frame, a stylized puppet of Glinda the Good appears, her motions rigid and deliberate… Our narrator introduces her: “Enter Glinda the Good, Queen of the Quadlings and a master of the Persuasion Paradox. Forget your spells! Her magic was simple observation, a well-placed question, the quiet, surgical dismantling of loud, stupid arguments. She showed the pilgrims a vision in the poppy fields… a glorious battle, a hard road to the Wizard, who, she promised, held all the answers.”

And so, the setup… a real hero’s journey… a quest for truth.

But Glinda, our “Good” Witch, was engineering events and she conveniently omitted a few details. For one, Amelia Wolfe could have flown her sorry ass back to Kansas at any time. The red shoes were the key, a free ticket out of the entire mess. But Glinda needed a blunt instrument to achieve her ultimate aim, the death of the WWW, mid-level bureaucrat whose groveling to the Wizard, Oscar Ambrose, was a political liability. And who better to deliver that blow than an innocent outsider? And when the Scarecrow caught fire in the ensuing battle, Amelia, a nurse, in the process of putting out the fire, gets water on the Witch… an unfortunate coincidence, but a very tidy political assassination masquerading as a rescue mission… all engineered by Glinda.

And here is where we interrupt the narrator for a Morality Play Interjection: We see for want of a brain (Scarecrow) and the desire to help a friend (Amelia) can lead to the death of a clever operator’s inconvenient obstacle (WWW)? In Oz, good intentions are just another whammy-bar to jiggle.

So… then we cut to SCENE 2: The Wizard’s War Room… A dimly lit chamber where Oscar Ambrose, the Wizard, sits on a throne made of oversized, gilded holograph projection equipment, and Dorine of Omaha paces, her face a mask of permanent battle readiness.

Wizard Oscar speaks into a microphone, his voice echoing, distorted, and overloud. “They came for me! My opponents, armed with a morbid curiosity… a fetish, i tell you… for the personal! They paraded my dear friends and co-workers, my ‘victims,’ they said! They tried a high-tech lynching! A political assassination!”

Oscar pauses this Wizardly monolog to wipe his brow, dramatically, as Stan Diller, the Flying Monkey, creeps from behind the throne, whispers into the Wizard’s ear, then ducks away.

Oscar resumes his diatribe, his voice is suddenly flat, adopting Stan Diller’s twisted rhetoric, “The powers of the wizard… will not be questioned,” he declares pompously. “The personal… must never be mixed with the political! I am the victim here!”

Dorine of Omaha slams her fist on a small table. She wears a pin that says’: ‘DESTROY THE ENEMY.’, “The enemy,” she said. “They shamed me. They spoke of my personal vulnerability! But now, i have him! Oscar Ambrose! A fully reformed Orange Oompa Loompa!” Taking a deep breath, she bellows, “Together we will rise! Together, we will destroy them all! We are at war with the woke half of this wretched country, and we will win!”

Presently, Curtis Loki, ranking flying monkey and agent of chaos, enters, bowing low. He simps at the Wizard’s feet. “Exalted Wizard! I have invented a new doctrine! The Inherent Wizardly Prerogative! It states that whatever the Wizard does, by definition, is legal, necessary, and virtuous!”

The wizard nods vigorously, instantly adopting the new phrase. “Inherent Wizardly Prerogative! It has a good, loud ring! Loki, you’re a genius!” And as Loki was reveling in his plan coming together, Stephen K. Moros, the Winkie gatekeeper burst into the antechamber. Breaking Loki’s reverie, Moros began to shout incoherently about “Uniting the Quadlings” and the necessity of “all means necessary.” With this outburst, Oscar waved a dismissive hand.

“Too much! Too extreme, Moros! Out! I want chaos, yes, but controlled chaos. You’re making the quiet part too obnoxiously loud.” With that, Moros is escorted out and “Lindsey” O Boq of the Castleforce Guild enters bowing deeply to Dorine and then to Oscar. With a ghastly, insincere grin, he grovels at the Wizard and Dorine’s shoes. “Esteemed, magnificent leaders! My Guild, the Castleforce, is with you! Unquestionably! We support the current power. Whomever holds the big stick! We are advocates for… for power!” As he is prostrating himself, the Befuddled Witch of the East (BWE) represented by a puppet on strings glides into the room, head bowed so low it scrapes the floor.

“Oh, Great Wizard! Your every pronouncement is a diamond! Your every flick of the wrist, a symphony! I adore you! I worship your power! Your enemies are swine! I am nothing! A mere crawling servant!” And just as fast as this puppet appears, it glides back out of the room.

The narrator fades, full body, into view and briefly addresses the audiovision audience, “The machinery of power. Personal attacks become a shield. A lust for status becomes a political manifesto. And the sycophants… the Boqs and the BWE’s… they merely lubricate the machine.”

As the Wizard’s antechamber fades to black, The Scarecrow, Tin Man, Lion, and Amilia stand under a single, harsh spotlight.

J.R. Murgatroid, The Scarecrow, his voice, a plaintive wail complains, “They said Glinda was Good. She promised answers. But she sent me to a fire. I was meant to burn! And Amelia, she saved me. But to save me, she killed the WWW! I have no brain, but even i can see the algebra of it: my life for the Glinda’s convenience. The supposed good serves itself with my straw-filled body!”

Next, Milo Woodsman, the Tin Man, in a cold, metallic voice added, “Glinda presented a problem, and a solution that benefitted her. Oscar, the Wizard, simply reframes every corruption as a virtue. Amoral, efficient, both of them. One uses observation, the other uses noise. Neither cares for true justice. I seek efficiency, but this is merely a shell game of power. I still have no heart, but i believe i see how useful the idea of one is to those who wield power.”

Not to be forgotten, Delicate Donny Goldencalf, the Cowardly Lion, sobbing theatrically, puffs out his chest. “I want to be King. King of the forest! But every King in Oz, even the ‘Good’ one, must walk through the mud to get there. Glinda used a nurse! A nurse! Oscar used the personal low-blow as a stepping stone! It is all a show, a magnificent, terrifying show. Perhaps my lack of courage is simply the wisdom to see how dirty the crown truly is! But I still want it.”

Finally, Amelia Wolfe, the nurse, practical, exasperated spoke for all, “I am a nurse. I put out a fire. I saved a life. That’s my job. I didn’t intend to kill anyone. I don’t care about ‘Wizardly Prerogatives’ or ‘Persuasion Paradoxes.’ I just wanna go home. All i see is a frightened man on a loud throne, and a woman who uses people as pawns, and a political system built on deceit and noise. This Oz of yours is a sick place, and i can’t treat everyone for collective delusion! Where’s my flying machine?”

The spotlight on our pilgrims fades and the smoking narrator reappears among the surrounding darkness. Snuffing out his cigarette, he launches into an epilogue, “And there you have it… the journey continues; the Scarecrow is no closer to a brain; the Tin Man is no closer to his cybernetic godhood; the Lion is no closer to his crown; and the Nurse? She’s still stuck in the middle of a political disaster, simply because she acted on instinct. The good are not always good. The evil are not always evil. They’re all simply people, or figures, or tin, or straw, pursuing their own ambitions.” And with that, the narrator fades to black, and a panoramic shot of glittering Riviera City fades in.

And the moral of this Audiovision presentation, if you can call it that, is simple: In the end, it doesn’t matter if you are a Munchkin, a Monkey, a Nurse, or a Lion. If you stand in the way of power, or if you serve power too completely, you will be used, you will be discarded, or you will be extinguished. And the Wizard? He sits on his throne, protected by noise, protected by the same Quadlings, Gillikans, Winkies, Munchkins, and naturalized Oompa Loompas he abuses. He’s the master of the turnabout. But is he a symptom of Oz corruption, or the cause?

The panoramic shot of glittering Riviera City fades out and a single, large banner drops, bearing the stark motto: “THE POWER OF THE WIZARD… WILL NOT BE QUESTIONED!”

Or will it…?
Who decides?

Audiovision: No Place Like Home

Emelia groaned, pushing herself up from the… was that a poppy field? Her head throbbed like Old Bessie’s engine just before powering up for takeoff. One minute she was double checking navigation maps to make sure she was on course, the next… gingham. Gingham? And was that a terrier yapping at her heels? She’d always preferred cats. This was all her father’s fault, of course. That flamboyant, philandering poet. He’d abandoned her to the whims of her mathematically-obsessed mother, and now, thanks to a rogue cloud and an inconvenient lightning strike, she was Dorothy freakin’ Gale.

“Good grief,” she muttered, adjusting the ridiculous blue dress. “This is worse than trying to explain aerodynamics to a chimney sweep.”

Suddenly, a rustling in the nearby cornfield. Out popped a straw-stuffed… thing. “Good afternoon, Miss! Are you a good witch or a bad witch?” it croaked.

Emelia pinched the bridge of her nose. “I’m a nurse,” she corrected, “and i haven’t the faintest idea what you’re talking about. Unless ‘witch’ is some weird slang for pilot. In which case, i can fly without a broom, and rather well, if i do say so myself.”

The Scarecrow looked confused. “A… pilot? Is that like having a brain?”

“It involves logic, intuition, and wide-ranging travel in hours rather than days or weeks.” Emelia explained patiently, “unlike stuffing straw into your knickers.”

Just then, a tin man emerged from the woods, his joints creaking like a rusty automaton. “Oil can!” he cried. “I can barely move!”

Emelia sighed. “I need to get back to Kansas. Perhaps we can help each other. You need to free your joints, and i need… well, i’m not entirely sure what i need. Besides a current map, a compass, and a sturdy aircraft.”

A roar echoed through the field. A magnificent lion bounded into view, quivering with terror. He sported a meticulously sculpted orange mane, clearly the product of considerable dye and pomade, attempting to disguise a rather significant bald patch at the back of his head.

“Don’t laugh at me!” he whimpered, his carefully crafted combover trembling. “Truth told, i’m not as brave as i look!”

Emelia stared at him. “You’re the king of the jungle,” she pointed out, “and you’re afraid of… well, what are you afraid of?”

The Lion glanced nervously at the little terrier, who was now sniffing at his paws. “Everything, really.” he wailed. “Small, yappy dogs, Russian game poachers, and losing my…my… coiffure!”

Emelia threw her hands up in exasperation. “Right. So, we have a scarecrow without a brain, a tin man without a heart, a lion without courage and a truly baffling hairstyle, and me, a pilot without a clue how to get home. Sounds like a pain in the adventure.”

The terrier, whom Emelia had christened “Vega” (much to his apparent displeasure), yapped excitedly.

A Munchkin, barely taller than the dog, popped his head out from behind a giant mushroom. “Follow the Yellow Brick Road!” he chirped. “The Wizard lives in the Riviera! He can help you!”

Emelia looked at her motley crew. “The Riviera, you say? And this Wizard… he’s good with… logistics?”

The Munchkin shrugged. “He’s a wizard! He can do anything!”

Emelia raised an eyebrow. “Anything, eh? I want to know what happened to my aircraft, ‘Old Bessie,’ and i want to go home. Lead on, then. Yellow Brick Road it is.” She just hoped the Wizard had a better understanding of navigation than these… wacky characters.

To be continued… Rohlfie

Audiovision: Meet the New Baus

Delicate Donny Goldencalf the Third, a lad whose lineage boasted more dollars than sense, awoke with a start. Not from a dream, mind you, but from the lingering echoes of a rather unfortunate encounter with a gastroenterologist and his trusty colonoscope. He found himself not in his gilded, monogrammed boudoir, but in a… well, a place. A place teeming with flora of improbable hues and fauna that looked like they’d escaped from a particularly vivid opium dream.

Goldencalf, you see, harbored a secret ambition. Not a secret secret, mind you, as he’d bellowed it from the rooftops of his father’s Fifth Avenue penthouse often enough. He yearned to be a King. A great King. Powerful, virtuous, the whole shebang. The slight snag in this grand design was that Goldencalf’s experience with courage extended only to ordering the household staff to adjust the thermostat, and his virtue was mostly theoretical, confined to dusty volumes he’d never actually read. However, he possessed a talent for self-promotion that would make P.T. Barnum blush. He’d convinced a surprising number of sycophants that his utter lack of substance was, in fact, a profound and nuanced form of… something. They just had to, you know, overlook the fact that he was, metaphorically speaking, starkers.

Now, here he was, in this outlandish land, feeling more metaphorically naked than ever. He’d heard whispers of this place – something about a yellow brick road and a wizard. A wizard who, presumably, could bestow upon him the kingly qualities that he so desperately lacked. So, with a newfound, if somewhat shaky, resolve, Goldencalf set off.

He hadn’t gone far when he encountered a signpost, helpfully pointing towards the aforementioned road. “To the Riviera,” it proclaimed, in lettering that seemed to shimmer with an almost sinister glee. Goldencalf swallowed hard. He’d faced down his father’s investment bankers without flinching, but this… this was different. This was uncharted territory.

He found the road easily enough. It was remarkably yellow, almost garishly so, like a jaundice victim’s complexion. He trudged along, the silence broken only by the frantic thumping of his own heart, which he tried to convince himself was the sound of his burgeoning courage.

Suddenly, a rustling in the undergrowth! Goldencalf froze, his eyes wide with terror. From the bushes emerged… a small, fluffy dog. A lapdog, really, the kind that rich ladies carry in their handbags. It yapped, a high-pitched, insistent sound. Goldencalf yelped, leaping back with a cry that would have shamed a banshee. His carefully constructed facade of bravado crumbled faster than a cheap pastry. The dog, unimpressed by this display of royal fortitude, continued to yap, tail wagging expectantly.

Goldencalf stared at it, his face pale. This, he realized with a sinking heart, was not going to be as easy as he’d thought. He’d faced down dragons in his limited imagination, but a yapping Terrier? That was a foe of a different caliber altogether. He was, it seemed, the naked, Cowardly Lion. And the quest for courage and virtue, he suspected, was going to be a long and humiliating one. After all, how could one rule a kingdom when one was empty of conviction and terrified of a fluffy handbag accessory? The irony, as they say, was thicker than appointing someone rich from government contracts to oversee the federal treasury.

Stay tuned, for more ironic adventures… Rohlfie

Wiz and the Mojo Bar

He strode into a Mojo Bar and ordered up a shot, from his memory pack, pulled a snap of boardroom ballads setting up their day… they say it’s fair and…

Before we destroy the competition, screw the customers, and laugh all the way to the bank, let’s bow our heads to pray.

The Wiz pulls a payment card and smiles a morning cheer… cos batshit double tea hatters fill him with “the fear. ” Intrepid student wrecking crews steal victory from the jaws. While the self-driving uber fleets deliver hookers all night long.

And the planet… in a fit… swallow souls randomly. And 400 years go by as Cajuns hit the sand. But here and now… here at home… cops shoot kids skittishly. And everywhere it seems people rage to bring their guns.

The free exchange of dangerous ideas meant to deepen minds take a hasty exit on Eden highways where even rockers lose their souls. And laundry ladies pick stringed rhythm to the drying clothes. While bleach is for the eyes of federation mojo bros. Hands change in dollars and dimes. The Federation crowd looks inquisitive to the Wiz. But he breaks down in tears… falling from his crown like rain in Fat City. They want to help his trouble and his pain, but the Wiz just keeps cryin’. Where politician trains… cruel potential worlds… Colombian civil wars… end in time for rocky mountain stoners to load their bowls from the Mojo Bar.

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