oz

Audiovision: The Folly of Oz

So… here we are… in the Hays Public Library with a mission to tie the Oz parody in a bow in order to make room for the book project planned as a capstone to the Hot Springs or Busk tour. The relevant characters have been sketched… the basic outline drawn. So… i guess… without further adieu…

Audiovision: The Folly of Oz

We begin with a narrator. Picture the Twilight Zone’s Rod Serling, smoking a characteristic cigarette. Behind him, a projection screen shows stylized, harsh-lined images of a yellow brick road winding through lush green fields. He addresses his audiovision audience thusly:

“The Yellow Brick Road, they called it. A path to salvation. Hah! In Oz, all roads lead to a single, glittering lie: Riviera City, where the Wizard, a paper-tiger wrapped in loud noise, holds court.”

The narrator continues, “And so, our pilgrims gather, driven by the oldest, most pathetic of human hungers: the desire for an easy fix. There’s J.R. Murgatroyd, the Scarecrow, a poor fool who’d traded his common sense for a bowl of good-time gravy. He clutched his straw-stuffed ears between which a brain should be. He yearns for an education, for the power to understand the rigged game of Oz.”

The audiovision director signals a switch to angle #2, The narrator flicks his cigarette’s ash, exhales a billowing cloud of blue smoke, looks directly into angle #2’s vision and says, “Beside J.R., Milo Woodsman, the Tin Man, stood stiffly, a polished monument to unfeeling ambition. No heart, but a singular, cybernetic goal: to be more than flesh, to be a god in the cloud. A heart? Sentimentality! He wanted to be a cyborg, a machine of pure, cold efficiency.”

A glint in the distance as the sun rises behind shimmering Riviera City. The narrator continues, “Then, Delicate Donny Goldencalf, the Cowardly Lion. A beast of magnificent self-promotion, selling a magnificent lie. He desired a crown, a throne, a kingdom built on his own vapid image. He was the Emperor with no clothes, surrounded by sycophants who whispered, ‘Surely, this lack of character is a profound statement!’”

Presently, we hear a small dog’s bark in the distance as the narrator describes the final leg of this pilgrim’s stool, “And finally, Amelia Wolfe, the interloper from Kansas, a nurse, whose flying machine had done the world the small favor of flattening a minor Oz bureaucrat, the Wicked Witch of the West (WWW), they called her. Amelia was the unwilling participant, dragging her terrier on a frayed rope, utterly bewildered by the local legends.”

Then, from the top of the frame, a stylized puppet of Glinda the Good appears, her motions rigid and deliberate… Our narrator introduces her: “Enter Glinda the Good, Queen of the Quadlings and a master of the Persuasion Paradox. Forget your spells! Her magic was simple observation, a well-placed question, the quiet, surgical dismantling of loud, stupid arguments. She showed the pilgrims a vision in the poppy fields… a glorious battle, a hard road to the Wizard, who, she promised, held all the answers.”

And so, the setup… a real hero’s journey… a quest for truth.

But Glinda, our “Good” Witch, was engineering events and she conveniently omitted a few details. For one, Amelia Wolfe could have flown her sorry ass back to Kansas at any time. The red shoes were the key, a free ticket out of the entire mess. But Glinda needed a blunt instrument to achieve her ultimate aim, the death of the WWW, mid-level bureaucrat whose groveling to the Wizard, Oscar Ambrose, was a political liability. And who better to deliver that blow than an innocent outsider? And when the Scarecrow caught fire in the ensuing battle, Amelia, a nurse, in the process of putting out the fire, gets water on the Witch… an unfortunate coincidence, but a very tidy political assassination masquerading as a rescue mission… all engineered by Glinda.

And here is where we interrupt the narrator for a Morality Play Interjection: We see for want of a brain (Scarecrow) and the desire to help a friend (Amelia) can lead to the death of a clever operator’s inconvenient obstacle (WWW)? In Oz, good intentions are just another whammy-bar to jiggle.

So… then we cut to SCENE 2: The Wizard’s War Room… A dimly lit chamber where Oscar Ambrose, the Wizard, sits on a throne made of oversized, gilded holograph projection equipment, and Dorine of Omaha paces, her face a mask of permanent battle readiness.

Wizard Oscar speaks into a microphone, his voice echoing, distorted, and overloud. “They came for me! My opponents, armed with a morbid curiosity… a fetish, i tell you… for the personal! They paraded my dear friends and co-workers, my ‘victims,’ they said! They tried a high-tech lynching! A political assassination!”

Oscar pauses this Wizardly monolog to wipe his brow, dramatically, as Stan Diller, the Flying Monkey, creeps from behind the throne, whispers into the Wizard’s ear, then ducks away.

Oscar resumes his diatribe, his voice is suddenly flat, adopting Stan Diller’s twisted rhetoric, “The powers of the wizard… will not be questioned,” he declares pompously. “The personal… must never be mixed with the political! I am the victim here!”

Dorine of Omaha slams her fist on a small table. She wears a pin that says’: ‘DESTROY THE ENEMY.’, “The enemy,” she said. “They shamed me. They spoke of my personal vulnerability! But now, i have him! Oscar Ambrose! A fully reformed Orange Oompa Loompa!” Taking a deep breath, she bellows, “Together we will rise! Together, we will destroy them all! We are at war with the woke half of this wretched country, and we will win!”

Presently, Curtis Loki, ranking flying monkey and agent of chaos, enters, bowing low. He simps at the Wizard’s feet. “Exalted Wizard! I have invented a new doctrine! The Inherent Wizardly Prerogative! It states that whatever the Wizard does, by definition, is legal, necessary, and virtuous!”

The wizard nods vigorously, instantly adopting the new phrase. “Inherent Wizardly Prerogative! It has a good, loud ring! Loki, you’re a genius!” And as Loki was reveling in his plan coming together, Stephen K. Moros, the Winkie gatekeeper burst into the antechamber. Breaking Loki’s reverie, Moros began to shout incoherently about “Uniting the Quadlings” and the necessity of “all means necessary.” With this outburst, Oscar waved a dismissive hand.

“Too much! Too extreme, Moros! Out! I want chaos, yes, but controlled chaos. You’re making the quiet part too obnoxiously loud.” With that, Moros is escorted out and “Lindsey” O Boq of the Castleforce Guild enters bowing deeply to Dorine and then to Oscar. With a ghastly, insincere grin, he grovels at the Wizard and Dorine’s shoes. “Esteemed, magnificent leaders! My Guild, the Castleforce, is with you! Unquestionably! We support the current power. Whomever holds the big stick! We are advocates for… for power!” As he is prostrating himself, the Befuddled Witch of the East (BWE) represented by a puppet on strings glides into the room, head bowed so low it scrapes the floor.

“Oh, Great Wizard! Your every pronouncement is a diamond! Your every flick of the wrist, a symphony! I adore you! I worship your power! Your enemies are swine! I am nothing! A mere crawling servant!” And just as fast as this puppet appears, it glides back out of the room.

The narrator fades, full body, into view and briefly addresses the audiovision audience, “The machinery of power. Personal attacks become a shield. A lust for status becomes a political manifesto. And the sycophants… the Boqs and the BWE’s… they merely lubricate the machine.”

As the Wizard’s antechamber fades to black, The Scarecrow, Tin Man, Lion, and Amilia stand under a single, harsh spotlight.

J.R. Murgatroid, The Scarecrow, his voice, a plaintive wail complains, “They said Glinda was Good. She promised answers. But she sent me to a fire. I was meant to burn! And Amelia, she saved me. But to save me, she killed the WWW! I have no brain, but even i can see the algebra of it: my life for the Glinda’s convenience. The supposed good serves itself with my straw-filled body!”

Next, Milo Woodsman, the Tin Man, in a cold, metallic voice added, “Glinda presented a problem, and a solution that benefitted her. Oscar, the Wizard, simply reframes every corruption as a virtue. Amoral, efficient, both of them. One uses observation, the other uses noise. Neither cares for true justice. I seek efficiency, but this is merely a shell game of power. I still have no heart, but i believe i see how useful the idea of one is to those who wield power.”

Not to be forgotten, Delicate Donny Goldencalf, the Cowardly Lion, sobbing theatrically, puffs out his chest. “I want to be King. King of the forest! But every King in Oz, even the ‘Good’ one, must walk through the mud to get there. Glinda used a nurse! A nurse! Oscar used the personal low-blow as a stepping stone! It is all a show, a magnificent, terrifying show. Perhaps my lack of courage is simply the wisdom to see how dirty the crown truly is! But I still want it.”

Finally, Amelia Wolfe, the nurse, practical, exasperated spoke for all, “I am a nurse. I put out a fire. I saved a life. That’s my job. I didn’t intend to kill anyone. I don’t care about ‘Wizardly Prerogatives’ or ‘Persuasion Paradoxes.’ I just wanna go home. All i see is a frightened man on a loud throne, and a woman who uses people as pawns, and a political system built on deceit and noise. This Oz of yours is a sick place, and i can’t treat everyone for collective delusion! Where’s my flying machine?”

The spotlight on our pilgrims fades and the smoking narrator reappears among the surrounding darkness. Snuffing out his cigarette, he launches into an epilogue, “And there you have it… the journey continues; the Scarecrow is no closer to a brain; the Tin Man is no closer to his cybernetic godhood; the Lion is no closer to his crown; and the Nurse? She’s still stuck in the middle of a political disaster, simply because she acted on instinct. The good are not always good. The evil are not always evil. They’re all simply people, or figures, or tin, or straw, pursuing their own ambitions.” And with that, the narrator fades to black, and a panoramic shot of glittering Riviera City fades in.

And the moral of this Audiovision presentation, if you can call it that, is simple: In the end, it doesn’t matter if you are a Munchkin, a Monkey, a Nurse, or a Lion. If you stand in the way of power, or if you serve power too completely, you will be used, you will be discarded, or you will be extinguished. And the Wizard? He sits on his throne, protected by noise, protected by the same Quadlings, Gillikans, Winkies, Munchkins, and naturalized Oompa Loompas he abuses. He’s the master of the turnabout. But is he a symptom of Oz corruption, or the cause?

The panoramic shot of glittering Riviera City fades out and a single, large banner drops, bearing the stark motto: “THE POWER OF THE WIZARD… WILL NOT BE QUESTIONED!”

Or will it…?
Who decides?

Audiovision: Glinda the Good

The word came down from the Tower of Smoke and Mirrors like a week-old tornado warning! Glinda the Good, that shimmering, pastel-drenched enigma whose public persona suggested a diet of spun sugar and unwavering good will, had landed herself a lifetime gig in the judicial system of Oz. Permanent. Locked in tighter than a Winkie guard’s sphincter at a tactics and control seminar. The Wizard, bless his holographic heart, figured she was a sure bet, a pre-packaged yes-woman bobbing along on her iridescent bubble, ready to rubber-stamp whatever flimsy decree wafted down from his lofty, smoke-filled cranium. He envisioned compliant nods and sparkling affirmations. What he got was a freakin’ constitutional originalist.

The first seismic tremor registered not on the Richter scale, but in the Oz Toot-sphere, that swirling cesspool of gossip and digital bile. A post, brutal in its unflattering candor captured mid-mastication on a truly formidable ripe yellow elongated berry-fruit, courtesy of the local trading post no doubt. The toot declared in no uncertain terms: “She’s a big problem!” One hundred and seventeen thousand-plus digital thumbs-up slammed into that poor banana, a collective grunt of outrage echoing across the digital plains. Initially, one might peg this as the handiwork of the Quadling Liberation Front, those tireless advocates for opening Oz’s borders to every Tom, Dick, and Kansas refugee with a hard-luck story. But no, this particular broadside originated from the very heart of the Wizard’s support base, the frothing legions of tin-foil hat keyboard warriors. Glinda’s transgression? A simple, yet devastating, vote to allow two billion gold coins poured into the Outer-Realm black hole. O-Z-A-I-D, for Christ’s sake… to some nebulous, faraway land that wouldn’t know a Poppy Field from a peyote button. The outrage was palpable, thick enough to choke a gaggle of giggling Munchkins.

Then came the inevitable chorus of “diversity appointment” accusations, a low, guttural moan that swiftly escalated into a full-bore demand for Glinda’s immediate and public immolation. Glinda, bless her pastel-hued soul, merely blinked. She understood the Oz vernacular all too well. Diversity appointment was simply the contemporary euphemism for anyone who didn’t enthusiastically sign onto their perpetually expanding list of grievances. The Befuddled Witch of the East, a creature whose default setting was apoplectic rage, even managed a semi-coherent screed opposing the aid, though her reasoning remained, as always, lost somewhere in the dense fog of her own bewilderment.

But here’s where the plot thickens, loopers, like a cauldron full of ill-conceived witch’s brew. A deep dive into Glinda’s magical rap sheet revealed a rather inconvenient truth for both sides of the Oz divide. The notion that she was some secret weapon of the Progressive lobby was pure, unadulterated fantasy. Nor was she some knee-jerk anti-Wizard revolutionary, itching to dismantle his flimsy empire of illusion. Case in point: her staunch defense of the Wizard’s “Official Oz Legal” immunity, a loophole wide enough to drive a fleet of Winged Monkeys through, protecting his every questionable act committed under the banner of “governance.”

No, Glinda, it turned out, was a far more insidious beast. She was a disciple of the “persuasion paradox.” Forget your ancient spells and dusty grimoires, this was a weapon forged in the fires of pure, unadulterated observation. Watch. Listen. Ask questions. Argue less. Persuade more. It was the antithesis of everything Oz stood for, a land where political discourse generally involved escalating decibel levels, launching personal attacks with the accuracy of a drunken Monkey, and, when all else failed, unleashing the aforementioned simian hordes.

Her most audacious deployment of this insidious tactic came during the Great Ruby Slipper Debacle. Some wide-eyed innocent from Kansas, whose flying contraption had inconveniently pancaked the Wizard’s favorite Western Witch, was in possession of the coveted foot wear. The Wizard, ever the pragmatist when it came to optics and power consolidation, wanted those slippers. Badly. His master plan involved Glinda snatching them and handing them over to the Befuddled Witch of the East (BWE), a transparent attempt to appease the increasingly unruly Eastern provinces. But Glinda, that quiet operator, had been watching. She’d listened to the girl’s simple, desperate longing for that flat, desolate landscape called “home.” And instead of engaging in the usual Oz screaming match with the Wizard, she simply started asking questions. Deceptively simple questions about the true nature of power, the purpose of magic beyond political maneuvering, and the fundamental need for belonging that resonated even in a bewildered Kansan. She didn’t argue. She didn’t counter. She simply… guided. And like a whisper in a hurricane, she prevailed. The slippers stayed put, the girl and her mangy mutt skipped back to Kansas, a refugee crisis averted by the gentle, almost imperceptible, force of quiet persuasion.

And so Glinda watched the latest digital lynching party unfold on the Toot-sphere, a barely perceptible smirk twitching at the corner of her lips. Let them rage. Let them post their tiny digital toots until their fingers bleed. She would, in her own unsettling, deeply humane way, continue to win. She would observe, she would listen, she would ask, and she would quietly, irrevocably, prevail. The swirling, chaotic vortex of Oz politics, a Category 5 shitstorm of epic proportions, would simply spin around her, the eye of the hurricane, a place of unsettling calm.

Stay tuned, loopers! The Yellow Brick Road is paved with broken promises and the occasional well-aimed banana. And Glinda? Well, Glinda is just getting started. The Oz citizens know it. And somewhere, deep in Riviera City, so does the Wizard. He just hasn’t quite figured out why yet.

Audiovision: Who Dares?

Lindsey Boq was admiring Riviera City’s shimmering skyline in the summer heat, when a voice like a Carnyx came. “Boq, get your ass to the Riviera Gate. Stephen K. Moros is loose again. And the Wizard’s campaign is hemorrhaging Oz bucks faster than a Munchkin after a night of bad poppy-field wine.”

The whole scene was a goddamn circus. The air, thick with the stench of fear and burnt toast, buzzed with the frantic energy of a thousand Quadling Scouts gone mad. And in the center of it all, like a particularly odious toadstool in a field of poisonous mushrooms, was Stephen K. Moros.

This wasn’t some two-bit grifter peddling snake oil to the Gillikins. This was the man who, they say, earned his city planning degree and a frickin’ Castle Guard fur hat before seeing the light… or maybe just the dark, twisted underbelly… of the whole Oz Kingdom. He started as a loyal Oz Youth, a card-carrying member of the establishment, until a botched operation by the Winkie guards (oh-ee-oh, yo-ho, indeed) flipped a switch in his brain. He went from loyal lapdog to a full-blown, anti-establishment zealot… a secret rebel with a sneer and a plan to burn the whole rotten system down.

His first move, a brilliant stroke of pure, unadulterated cynicism, was to get in bed with the BWE’s conspirators on the castle wall and make a killing on poppy futures. Insiders. Trading. The man was a financial genius, but not the kind the Wizard of Oz would want to see on his campaign posters. With a bulging sack of gold, he was free. Free to unleash a storm of Molotov cocktails, first against the Gillikins, then against anyone who had the gall to defend them. He wasn’t subtle about it either. He called the Gillikins “something much darker” than the BWE and her Flying Monkeys. Even Boq, who’s no slouch when it comes to bomb-throwing, said he (Moros) was a bully who’d sell out his own allies just to back another bully, The Wizard.

Moros saw the BWE’s cult for what it was… a seething cauldron of “rootless white Quadlings” with “monster power.” He saw an army, a horde of flying monkeys and Quadling trolls who would come pouring in through the Riviera Gate, “turned onto politics and The Wizard.” He understood the dark magic of demagoguery, the power of fear and hate to bind a mob together.

The man wasn’t just a political hooligan, though. He was also director of Oz-sphere2, some closed ecological system experiment that was supposed to help Winkies live in outer space. But under Moros, it turned into an exercise in pure, self-serving, anti-science madness, shifting its focus to obfuscating Oz’s environment and pollution data, all to serve his own twisted agenda.

He rode The Wizard’s coattails, spreading fake news and half-truths, a one-man disinformation campaign. His reign of terror ended, as these things often do, in a firestorm of his own making. A “Unite the Quadlings” rally went sideways, turning into a riot, and the blame… “many sides,” they said… came straight from Moros himself. The Riviera City representatives, not known for their bravery, even put out a statement calling on The Wizard to fire this “well-known Quadling supremacist leader.”

And what did Moros do? The moment The Wizard threw him to the wolves, he turned on his former boss, calling him a “crooked business guy” and “just another scumbag.” He was pure Machiavelli, a man who saw no loyalty, only opportunity. The word on the street was that he saw the BWE as a fellow nationalist, a kindred spirit in the crusade against cosmopolitanism.

His end, for a time anyway, was ignominious. Arrested for conspiracy to commit fraud and money laundering connected to the Oz Wall fundraising campaign. He pleaded guilty, got a slap on the wrist… three years of conditional discharge, but his luck ran out. The Oz Supreme Court laughed his appeal out of court, and he found himself in a federal prison for a year, a caged beast.

Now, he’s back, a little grayer, a lot crazier. He’s got a new obsession, a new target for his rhetorical Molotov cocktails: magic and anti-science. He’s proud to be an Oz Luddite, preaching against artificial intelligence and other new technologies, terrified that the Winkie guards might one day be replaced by some soulless machine. He’s a man fighting yesterday’s wars, a dinosaur roaring at the meteor, but a dangerous one all the same. The circus is back in town, and Stephen K. Moros is still the main attraction. And somewhere, we can hear a low, familiar growl “oh-ee-oh, yo ho!”

Wizard Whisperer

By the smoking shrooms of the Riviera City, what fresh hell is this? Stan Diller, they call him. Diller Monkey, the festering boil on the backside of Oz. This ain’t your cuddly winged primate flinging feces for giggles, no sir. This is a creature brewed in the very cauldron of Quadling nationalist bile, a walking, squawking hate-balloon who somehow, by the grace of some seriously twisted karmic joke, has the ear – and apparently the drooling attention span – of the goddamn Wizard.

They gossip, these nervous little Munchkin handlers with their sweaty palms and darting eyes, that Diller is the “Wizard Whisperer!” More like the Wizard’s ventriloquist, shoving his twisted rhetoric up the old man’s puppet-hole while the Wiz just blinks and nods like a wind-up jack-in-the-box. Remember that fiasco at the Castleforce Guild global summit? Poor Wizard, nodding off like a goddamn used car lot inflatable tube-man gone limp, and there’s Diller, his beady little monkey eyes gleaming with some kind of perverse pride, practically dragging the befuddled old coot out by the sleeve. You’d almost feel sorry for the Wizard, if you weren’t so busy choking on the stench of Diller’s racist policies.

Family separation at the border? “Zero tolerance” for anyone who doesn’t sport pristine Quadling papers? Banning Oompa Loompas? This is pure, uncut Diller Monkey madness, a xenophobic freak show orchestrated by a tiny, bitter primate with a heart full of rusty nails and a brain marinated in White Quadling grievance. All the more puzzling is the fact that Diller is a flying monkey. A race of creatures formerly demonized and nearly exterminated by the very Quadlings he currently champions. Irony, apparently died in the realm years ago. And the Wizard, bless his fading faculties, scarfs it up like a Big Mac and large fries.

“A simple, no-brainer,” Diller chirps, regarding the trauma inflicted on families ripped apart at his command. This is the kind of soulless pronouncement that should send a chill down the spine of every sentient creature in this cursed land. “The powers of the wizard… will not be questioned!” he screeches, his voice echoing with the unmistakable timbre of a tinpot dictator in the making. Familiar, you say? You bet your lollypop stick it’s familiar. It’s the sound of freedom getting a fake-news red pill shoved up its bum.

And the literary tastes of this creature? Mourning the loss of some scribbler peddling White Quadling “genocide” fantasies in the pages of “Blackheart,” that festering rag for the Oz alt-right? Of course he did. Because this isn’t about policy for the common good, loopers. This is about the primal, gut-level ugliness of racial animus, plain and simple. Diller Monkey isn’t interested in making Oz great again. He’s interested in making it “white” again. Whatever the hell that means in a land full of tin woodsmen, upright lions, and talking scarecrows.

So here we are… the Wizard, the once-revered reality-TV star, now a doddering puppet dancing to the tune of a racist little monkey. The citizens voted for a Wizard, but what they got was Diller, the “Wizard Whisperer,” the architect of Oz’s slow, agonizing descent into a xenophobic hellhole. And all we can do is show up, amidst the crumbling grandeur of Riviera City, and rage against the machine. Because in the grand, twisted theatre of Oz, that’s the only goddamn sane response left.

Stay tuned… much more to come.

Audiovision: We Represent…

Lindheimer, O. Boq, Esq., a man whose legal career was compromised by a questionable defense of a rogue flying poppy-field security monkey, harbored delusions of grandeur usually reserved for auctioneers or super-villain sidekicks. His particular fancy was Riviera City politics. He yearned, he ached, to be a voice of reason, a beacon of common sense in what he perceived as an increasingly radical world. Thus, when the bellowing demagogue, the “Wizard of Oz”, thundered onto the screen with pronouncements on the citizenship status of atheist Winkie Guards and the urgent need for a national Oompa Loompa registry, Boq, in a fit of righteous indignation (and a desperate craving for attention), unleashed a torrent of invective so savage it would make a tax auditor blush.

“Atheist Winkie Guards are essential castle protectors, and Oompa Loompas have rights, too.” He said, aiming his derision directly at the yet to be anointed Wizard. “He’s a race-baiting, xenophobic, religious bigot.” Boq declared, urging supporters to forget about the shameless demagogue.

The next thing he knew, Boq found himself perched atop a giant mushroom, his orange hair curled and quaffed, and inexplicably leading a chorus line of similarly attired Munchkins ceremoniously dubbed the “Castleforce Guild.” They were all singing a disturbingly catchy tune about… well, the Castleforce Guild. Boq vaguely recalled something about a witch and a house, but his mind was on more pressing matters.

Before him stood a motley crew: a lion with a chronic case of the jitters, a scarecrow who looked like he’d lost a fight with a combine harvester, a tin man who creaked with every breath, a little girl in gingham, and a dog who looked remarkably unimpressed with the whole affair. They were, Boq gathered, seeking an audience with the great and powerful Wizard.

“Welcome, travelers!” Boq chirped, his voice a shade higher than he’d intended. The Castleforce Guild, bless their knee socks, launched into another Castleforce ditty. “We represent the Castleforce Guild, and we’re delighted to guide you on your quest!”

He cleared his throat. “Now, about this Wizard… He’s… well, he’s a visionary. A titan of patriotism. A… a genius of unprecedented… strength! His pronouncements on poppy-field border walls and Oompa Loompa invasions? Pure brilliance! The Oompa Loompa registry? A stroke of inspired statesmanship! In short, he’s… he’s… magnificent!”

The travelers exchanged dubious glances. The little girl frowned. “But Mr… Munchkin Man,” she said, “didn’t you just call him a… a… ‘race-baiting, xenophobic, religious bigot’?”

Boq winced. “Ah, yes! But that was… before. Before i… understood. You see, the Wizard’s… vision is so… complex… that it requires… nuance. And… Winkie Guards!” He gestured vaguely at the Guild, who were now doing a synchronized twirl.

He leaned in conspiratorially. “Just… just tell him Lindheimer, Boq sent you. Mention my… unwavering support. My… profound admiration. My… my… utter and complete agreement with every single syllable that emanates from his… his… glorious Chocolate Cake hole. And for heaven’s sake, compliment his taste in literature.”

He pointed down a yellow brick road that seemed to stretch into infinity. “Follow that path! And may the Wizard’s… wisdom… guide you!”

As the travelers trudged off, the Lion whimpering, the Scarecrow wobbling, the Tin Man creaking, and the Dog looking more unimpressed than ever. Boq sighed. Castle security, he mused, was a strange world of glittering prizes and endless compromises, and sometimes, it needs an ample stock of obsequious fealty. He just hoped the Wizard wouldn’t ask them about his Oompa Loompa registry response. He hadn’t quite worked out the nuances of that one yet.

Stay tuned…
…much more to come.

Onward through the fog… Rohlfie

Audiovision: No Place Like Home

Emelia groaned, pushing herself up from the… was that a poppy field? Her head throbbed like Old Bessie’s engine just before powering up for takeoff. One minute she was double checking navigation maps to make sure she was on course, the next… gingham. Gingham? And was that a terrier yapping at her heels? She’d always preferred cats. This was all her father’s fault, of course. That flamboyant, philandering poet. He’d abandoned her to the whims of her mathematically-obsessed mother, and now, thanks to a rogue cloud and an inconvenient lightning strike, she was Dorothy freakin’ Gale.

“Good grief,” she muttered, adjusting the ridiculous blue dress. “This is worse than trying to explain aerodynamics to a chimney sweep.”

Suddenly, a rustling in the nearby cornfield. Out popped a straw-stuffed… thing. “Good afternoon, Miss! Are you a good witch or a bad witch?” it croaked.

Emelia pinched the bridge of her nose. “I’m a nurse,” she corrected, “and i haven’t the faintest idea what you’re talking about. Unless ‘witch’ is some weird slang for pilot. In which case, i can fly without a broom, and rather well, if i do say so myself.”

The Scarecrow looked confused. “A… pilot? Is that like having a brain?”

“It involves logic, intuition, and wide-ranging travel in hours rather than days or weeks.” Emelia explained patiently, “unlike stuffing straw into your knickers.”

Just then, a tin man emerged from the woods, his joints creaking like a rusty automaton. “Oil can!” he cried. “I can barely move!”

Emelia sighed. “I need to get back to Kansas. Perhaps we can help each other. You need to free your joints, and i need… well, i’m not entirely sure what i need. Besides a current map, a compass, and a sturdy aircraft.”

A roar echoed through the field. A magnificent lion bounded into view, quivering with terror. He sported a meticulously sculpted orange mane, clearly the product of considerable dye and pomade, attempting to disguise a rather significant bald patch at the back of his head.

“Don’t laugh at me!” he whimpered, his carefully crafted combover trembling. “Truth told, i’m not as brave as i look!”

Emelia stared at him. “You’re the king of the jungle,” she pointed out, “and you’re afraid of… well, what are you afraid of?”

The Lion glanced nervously at the little terrier, who was now sniffing at his paws. “Everything, really.” he wailed. “Small, yappy dogs, Russian game poachers, and losing my…my… coiffure!”

Emelia threw her hands up in exasperation. “Right. So, we have a scarecrow without a brain, a tin man without a heart, a lion without courage and a truly baffling hairstyle, and me, a pilot without a clue how to get home. Sounds like a pain in the adventure.”

The terrier, whom Emelia had christened “Vega” (much to his apparent displeasure), yapped excitedly.

A Munchkin, barely taller than the dog, popped his head out from behind a giant mushroom. “Follow the Yellow Brick Road!” he chirped. “The Wizard lives in the Riviera! He can help you!”

Emelia looked at her motley crew. “The Riviera, you say? And this Wizard… he’s good with… logistics?”

The Munchkin shrugged. “He’s a wizard! He can do anything!”

Emelia raised an eyebrow. “Anything, eh? I want to know what happened to my aircraft, ‘Old Bessie,’ and i want to go home. Lead on, then. Yellow Brick Road it is.” She just hoped the Wizard had a better understanding of navigation than these… wacky characters.

To be continued… Rohlfie

Audiovision: Meet the New Baus

Delicate Donny Goldencalf the Third, a lad whose lineage boasted more dollars than sense, awoke with a start. Not from a dream, mind you, but from the lingering echoes of a rather unfortunate encounter with a gastroenterologist and his trusty colonoscope. He found himself not in his gilded, monogrammed boudoir, but in a… well, a place. A place teeming with flora of improbable hues and fauna that looked like they’d escaped from a particularly vivid opium dream.

Goldencalf, you see, harbored a secret ambition. Not a secret secret, mind you, as he’d bellowed it from the rooftops of his father’s Fifth Avenue penthouse often enough. He yearned to be a King. A great King. Powerful, virtuous, the whole shebang. The slight snag in this grand design was that Goldencalf’s experience with courage extended only to ordering the household staff to adjust the thermostat, and his virtue was mostly theoretical, confined to dusty volumes he’d never actually read. However, he possessed a talent for self-promotion that would make P.T. Barnum blush. He’d convinced a surprising number of sycophants that his utter lack of substance was, in fact, a profound and nuanced form of… something. They just had to, you know, overlook the fact that he was, metaphorically speaking, starkers.

Now, here he was, in this outlandish land, feeling more metaphorically naked than ever. He’d heard whispers of this place – something about a yellow brick road and a wizard. A wizard who, presumably, could bestow upon him the kingly qualities that he so desperately lacked. So, with a newfound, if somewhat shaky, resolve, Goldencalf set off.

He hadn’t gone far when he encountered a signpost, helpfully pointing towards the aforementioned road. “To the Riviera,” it proclaimed, in lettering that seemed to shimmer with an almost sinister glee. Goldencalf swallowed hard. He’d faced down his father’s investment bankers without flinching, but this… this was different. This was uncharted territory.

He found the road easily enough. It was remarkably yellow, almost garishly so, like a jaundice victim’s complexion. He trudged along, the silence broken only by the frantic thumping of his own heart, which he tried to convince himself was the sound of his burgeoning courage.

Suddenly, a rustling in the undergrowth! Goldencalf froze, his eyes wide with terror. From the bushes emerged… a small, fluffy dog. A lapdog, really, the kind that rich ladies carry in their handbags. It yapped, a high-pitched, insistent sound. Goldencalf yelped, leaping back with a cry that would have shamed a banshee. His carefully constructed facade of bravado crumbled faster than a cheap pastry. The dog, unimpressed by this display of royal fortitude, continued to yap, tail wagging expectantly.

Goldencalf stared at it, his face pale. This, he realized with a sinking heart, was not going to be as easy as he’d thought. He’d faced down dragons in his limited imagination, but a yapping Terrier? That was a foe of a different caliber altogether. He was, it seemed, the naked, Cowardly Lion. And the quest for courage and virtue, he suspected, was going to be a long and humiliating one. After all, how could one rule a kingdom when one was empty of conviction and terrified of a fluffy handbag accessory? The irony, as they say, was thicker than appointing someone rich from government contracts to oversee the federal treasury.

Stay tuned, for more ironic adventures… Rohlfie

Audiovision: Sympathy for the Tin Man

How did they put it in the Chocolate Factory? Oh, yea, “Blaming the kid is a lie and a shame. You know exactly who’s to blame!” Anyway, the subject of our story was fairly used to getting his way as a lad. His silver spoon had never known the indignity of a mere polishing cloth. And now, he’s conceived a notion so audacious, so utterly of the moment, that even his boss, a man whose portfolio resembles a rogue’s gallery of ethically dubious ventures, blanched. Our hero, you see, desired to transcend the limitations of mere flesh. He yearned to become a cyborg – a gleaming amalgam of man and machine, jacked directly into the internet’s pulsating cloud, a veritable god amongst mortals.

His father, a man whose fortune stemmed from ethically questionable resource mining, turbo-charged the lad’s personality with the weary resignation of a parent who’d long ago given up on shaping a soul. And so, dropped the youth amongst the lords of flies, forcing our hero to find his way in a world of bullies. Then later, all grown up, after amassing a vast fortune, assembled a team of “bio-enhancement specialists” (read: guys who’d watched too many sci-fi movies), and after a series of excruciatingly painful and undoubtedly illegal procedures, he was…transformed.

Now, if you believe in the multiverse, you know it’s possible our hero awoke not in the world where a climate-controlled sensory deprivation tank eased him back into the waking state of normal existence, but in a place that looks like it was decorated by a deranged picnic enthusiast. Giant lollipops sprouting from the ground, the sky an unsettling shade of cerulean, and the inhabitants… well, not exactly the golf-club socialites to which our hero was accustomed. One fellow, rather short and stout, wore a hat that appeared to be trying to mate with his head.

And in this strange absurd dreamlike world, it slowly dawned on our hero that his transformation hadn’t quite gone as planned. He was, for lack of a better explanation, more machine than man. And then, insult to injury, he discovered, he was without a heart. Apparently, the “bio-enhancement specialists” had skimmed over that particular organ in their rush to install the Wi-Fi card.

Anyway, a road paved with what appeared to be gold bricks stretched before him. “Well,” he thought, with the optimism of a man whose only real problem had ever been deciding between the cocaine or ketamine, “at least there’s a road. And it’s shiny.” So he set off, determined to find his heart, perhaps encountering some ready guides along the way.

Alas, fate, that fickle mistress, had one last jest to play. A gentle rain began to fall. Our hero, whose exterior was apparently more susceptible to the elements than a cheap garden gnome, began to…rust. He froze, mid-stride, a gleaming monument to misplaced ambition and the perils of cut-rate cyborg surgery. His last thought, before the CPU seized entirely, was a profound regret that he hadn’t opted for the platinum plating. At least that wouldn’t have rusted.

To be continued… Rohlfie

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