This Land: North Carolina

Okay, in our South Carolina post, we mentioned the gentle ribbing in which natives of North and South Carolina are known to engage from time to time. And the trip from Myrtle Beach, to Boone, really brought the contrasts home for Ronnie. We spoke with natives on the boardwalk at Myrtle Beach, the library in North Wilkesboro, and the Cracker Barrel in Boone. After a couple sleep cycles and a few walkabouts, Ronnie’s impressions resemble a two-state demolition derby of contrasts, and since we gotta keep this train a rollin’, here’s the admittedly brief and somewhat whimsical assessment:

First, North Carolina, that bastion of AshVIlle cool, where the air crackles with Ph.D. energy and the bookstores overflow with Derridean Phenomenology. South Carolina? They’ve got… GreenvUlle. Where the humidity clings, the fire ants sting, and the barbecue joints are serious business. Yessirreebob!

The music scene? Oh, sweet Jesus, the music! Up north, it’s all flutes and dreads, the earthy strum of acoustic guitars, the faint, sweet smell of patchouli oil wafting through the co-op. Down south? It’s hiking gear and bandanas, the twang of banjos at a bluegrass festival, and enough Realtree camo to outfit a small militia!

And the cars, yeowtch! North Carolina, land of the practical, reliable, ready for anything, and perpetually covered in a fine layer of red clay dust, Subaru. South Carolina? The sleek, the sophisticated, the ultimate driving machine, BMW!

Religion? North Carolina, with its burgeoning tiny home communities, whispers of Zen, and a general suspicion of anything too… organized. South Carolina? Mega Churches! Sprawling complexes with parking lots the size of aircraft carriers, where the faithful gather in their Sunday best to hear the good word, amplified to stadium levels!

Recreational mood lifting? North Carolina? Green Man and bowls of ganja, homegrown, shared with friends, and definitely not served with a side of kale. The local, the earthy, the “we’ve been doing it this way for generations” vibe. Think hand-carved walking sticks and a healthy skepticism of anything invented after 1970. Down South, baby! Bowls of oats, organic, gluten-free, locally sourced, and probably sprouted under a full moon. Weekend warriors, decked out in the latest Gore-Tex, ready to conquer every trail, every peak, every kombucha brewery!

The canine companions? North Carolina, the noble rescue mutt, each with a story etched in their soulful eyes, their fur a testament to a life lived… outdoors. South Carolina? Golden Doodles, prancing through the farmers’ market, their fluffy coats gleaming in the artisanal sunlight.

Leisure? North Carolina… Kitty Hawk! The windswept dunes, the birthplace of flight, where the Wright brothers dared to dream, and where the royal green is an endless expanse of Blue Ridge forests. South Carolina? Golf courses, manicured to perfection, sprawling across the landscape like emerald carpets, the domain of the well-heeled and the well-tanned.

And the people? North Carolina… Hippies! clinging to the fringes, their tie-dye shirts a defiant splash of color in a world of khakis, their vintage VW buses rumbling testaments to a different way of life. South Carolina? Yuppies! urban centers, teeming with young professionals, their eyes fixed on the next promotion, the next craft brewery, the next hot yoga class.

And let’s not forget the one thing that unites them… their shared, almost pathological need to make fun of Hendersonville! It’s the Switzerland of Carolina-bashing, the neutral territory where both sides can come together in a spirit of… well, mild derision.

But, hallelujah and amen, let’s be honest. For all the ribbing, all the contrasts, all the Tar Heel swagger and Palmetto pride… would they rather be anywhere else? North Carolina, with its mountains and its music and its… progress? South Carolina, with its beaches and its barbecue and its… soul?

Nah. They’ll take it all. The Villes and the VUlles, the flutes and the fiddles, the Beemers and the Subarus. Because, at the end of the day, it’s the Carolinas, baby! And, for these loopers, that’s a damn sight better than anywhere else.

We’ll see you in Virginia…

Onward through the fog… RH

Be on your guard…
In the Carolinas…
You may get hooked and…
Go full messiani…
From sandy beaches…
To misty mountains…
These folks are blessed to have it all.

Hot Springs or Busk: Chapter II (mongrel of the rueful countenance)

And so… it’s probably good to get some background out of the way. And whether this public-facing journal features opinion, commentary, straight bald facts, mongrel music, or utterly inexplicable gonzo fiction, it’s important readers/listeners have access to the creator’s ethnic, cultural, socio-economic background, political leanings, as well as religious and/or gender identification. These things should be clear so that, rather than walking on rhetorical eggshells as is the custom these days, we can let our freak-flags fly… let these bare-metal stories/songs live and breathe as we see them. Unbounded by the illusion of disinterested objectivity, let’s pursue what Werner Herzog calls… “Ecstatic Truths.”

And since we’re not in cahoots with a genealogist, nor invested in 23andMe, this particular ancestry reaches back only so far as the late 19th century. It’s a shallow oral history scantly passed down by depression-era grand and great-grandparents. That said, it is an amusing clash of melting pot misfits: Jerrys (Deutsch), Harps (Gaelic), and Brits (English) all mashed together in Uncle Sam’s ethnic stew. Picture this, America: pre-WWI, a land teeming with more immigrant groups than a clown car at a rodeo. Among them, three distinct flavors: Stoic Jerrys, Guinness-swilling Harps, and stiff-upper-lip Brits. Now, imagine them crammed into the stew, a bubbling cauldron promising assimilation but spewing out this mongrel of rueful countenance… the alter-ego, Ronnie Hays.

Anyway, in the pre-war surge, a couple German immigrants (bless their lederhosey hearts) arrived in Pittsburg Kansas having never met in their native city, Bremen Germany. With the efficiency of healthy Volkswagen Beetles, this intrepid couple found a way to thrive in the desolate Kansas prairie. They labored, they brewed, they ooom pa’d with metronome precision. Their industriousness and tireless work-ethic hummed with the ineffable rhythm of Mother Nature’s shifting seasons. A stark contrast with the life and times of one of their sons (we’ll call him “Cool” Carl). Cool Carl moved West, to the gold mines of front-range Colorado, and once these wild-west gold-rush oats were sewn he settled in, built a brick house in the North Denver suburbs and raised a no-nonsense industrial beat-cop turned public works supervisor (call him Grumpalumpagus). This is where the Jerry genes crashed into the U.K. genes. Mr. Grumpalumpagus met and married a U.K. girl from Russell Kansas (we’ll call her Sassy SalGal), and the rest is female emancipation, generation gap, moonshots, hippies, rednecks, Indian uprisings, Viet Nam, race riots, billy clubs, police crackdowns, irreconcilable-differences, and divorce… history.

Add to the 1960s baseball, hot dogs, apple pie, and Chevrolet culture-crisis, a fundamental communication gap between Grumpalumpagus (a Jerry husband) and Sassy SalGal (a U.K. wife) distracted by waves of female emancipation facilitated by the various social safety nets, contraception, and pop-intellectual peer-pressure and you get a three-ring circus of misinterpretations. The Jerry cop’s guttural proclamations insisting women be house servants sent shivers down Sassy SalGal’s back. She might have mistook his alpha pronouncements for some sort of desperate war-of-the-sexes battle cry. The Brit influence in her uttering lyrical oaths under mumbling breath. The playful, but scrappy Harp in her issuing caustic digs like leprechauns on a whiskey rampage. Of course her U.K. sense of sarcastic wit met with bewildered frowns from the Jerry cop, and also alarmed her British father whose clipped pronouncements, delivered as if they were coming from the Queen herself, failed to persuade SalGal back into her pre-emancipation place.

Now… what about our intrepid storyteller and his all-singing-dancing crap-of-the-world alter-ego… this “Yuppytown Refugee?” Well… amid the slapstick of the 1960s and 1970s, something remarkable happened. The Jerry work ethic rubbed off on the Harp’s tendency toward mournful poetry, inspiring our hero to trade brawling for bucking deadlines. The Harp’s infectious penchant for music and storytelling livened up the all-work-no-play grindstone, turning out a somewhat disciplined rueful troubadour with British influence, ever pragmatic, looking for economic potential in this mongrel stew.

Of course, it’s not all work-hard-play-hard and beer. Inner-tensions flare, prejudices fester, and the occasional existential brawl serves as a reminder of the differences that still bubble beneath the surface. But slowly, surely, a new identity emerges, a uniquely American blend of Bratwurst, Guinness, and Monty Python Flying Loopcircus.

Of course…. ch ch ch changes… modern inclusive culture has temporarily ushered him to the sidelines in order to make room for the rainbow character of this remarkable nation. The thing is, none of the normal trappings of acquisitive individualism matters to our mongrel of rueful countenance. The temporary disenfranchisement of white male energy doesn’t bother him at all. And if he can enjoy a few more healthy years for writing, playing, and singing his stories, even if no one is listening, he’s in his element… in need of nothing more.

So, the next time you raise a glass to the American Dream, remember the loopy cultural car crashes somehow managing to forge new soul from fragments of European heritage. It’s not always pretty, it’s not always peaceful, but it has been, and hopefully is still… entertaining.

To list MEMEtic influences would be too long for this posting, but here are a few examples: Kurt Vonnegut‘s irrepressible humor in the face of tragedy, Hunter S. Thompson‘s incisive musical prose, Tom Wolfe‘s wiz-popping use of vivid metaphor, or the entire tower of song mentioned by Leonard Cohen. It’s all part of this grand, messy, beautiful American experiment.

Cheers… Rohlfie

PS: That’s some gene/meme-pool stuff… didn’t get around to socio-economic class, politics, religion, or gender identity. Stay tuned… we’ll get to those things in future postings.