In an attempt to illuminate where Loopcircus is coming from, metaphysically speaking, we’ll draw a brief allegory of humankind’s struggle to understand its place in the universe as an ever oscillating battle between those who insist there is a particular source from which all creation springs and those who insist we can observe the universe as the result of billions of years of adaptive (and otherwise) incremental changes. Loopcircus may be tempted to side with one or the other of these conflicting views, but the bare-metal truth is we don’t know… nor do we believe ANYONE truly knows. So… without further adieu, the spiral of puny human metaphysical understanding from Gilgamesh to Sagan.

In the beginning, there was dust, then clay, then Gilgamesh, a king who wrestled gods, chased immortality, and discovered, like a Vegas lounge lizard hungover in a bathtub full of pennies, that life’s a fleeting joke. Fast forward a few millennia, and the frame focuses on the desert of Palestine, where a carpenter’s son strolls in, flips the metaphysical tables, and promises an afterlife juicier than a Lebanese fig. This, my friends, is the Big Bang of Western metaphysics.

Centuries later, Europe enters its Renaissance, a period where deities dance the can-can with da Vinci’s anatomy sketches and Galileo gets poked in the eye by the Vatican for suggesting Earth isn’t the cosmic navel. Science, now a pimply teenager with a telescope, starts flexing its muscles, whispering sweet nothings of reason and logic to the masses. And religion, the aging aristocrat clutching its pearls, declares war.

Enter Darwin, a fellow with a penchant for Galapagos finches, drops an apparent truth bomb making the Colosseum look like a petting zoo. Suddenly, humanity isn’t God’s special snowflake, but a hairy cousin to the orangutan, scrambling up the evolutionary ladder in a desperate bid to avoid becoming monkey chow. Cue the Wagnerian strains of existential angst, thicker than London fog, and the rise of Nietzsche, and his magnificent mustache.

Across the pond, the soon to be U.S.A., a rambunctious toddler all hopped up on Manifest Destiny, is busy carving its own metaphysical niche. The Wild West, a whiskey-soaked fever dream, birthed bootstraps pragmatism, a philosophy as rugged as a cowboy’s chaps, where truth is measured by bullets, dollars, and cents, not divine pronouncements. Meanwhile, in the East Coast salons, Emerson and Thoreau, Transcendentalist proto-hippies on a nature binge, preach a gospel of self-reliance and communion with the cosmos, a far cry from the fire-and-brimstone sermons echoing from the puritan pulpits.

The 20th century, a rollercoaster ride through world wars and atomic bombs, left humanity bruised and questioning. Freud, a psychoanalyst with a penchant for cigars and Electra complexes, peered into the murky depths of the human psyche, revealing a primal soup of desires and neuroses far removed from the squeaky-clean narratives of organized religion. Existentialism, a philosophy as bleak as a Greek Tragedy, became the soundtrack of the disillusioned, while pop culture, a neon-lit funhouse, offered fleeting solace in the form of Elvis’ hips and Marilyn’s pout.

And now, in the 21st century, the stage is split. On one side, the Intelligent Design revival, a troupe of fire-and-brimstone preachers, resurrects the old gods, their voices booming with the righteous fury of a televangelist hawking snake oil. On the other, Carl Sagan’s disciples, hold aloft the flickering torch of reason, their voices laced with the wry humor of a scientist explaining the Big Bang to a five-year-old.

Then there’s we, the ever-curious, popcorn in hand, watching this embarrassing spectacle unfold. Will we turn into pillars of salt? Will fire and brimstone engulf the stage, will the Saganite laughter pierce the darkness? Or will Camus, W.B. Yeats, and George Carlin’s detached amusement save us from the disease of “passionate intensity?” The curtain has yet to fall, and the play, as always, goes on. One thing seems destined to persist: The spiral… ever oscillating between extreme attractions and aversions follows a seemingly eternal arc… each epoch like Groundhog Day… round and round the galaxy we spin… forever… and ever… and ever.

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